Me. Me. Me. (Deluxe Edition)＜数量限定盤/Aqua Blue & Orange Vinyl＞

ローファイでポップなインディー・ロックバンド、エアー・マイアミがレア音源3曲を追加収録し『Me. Me. Me.』のリイシュー盤をリリース!

発売から約30年、エアー・マイアミの最初で最後のスタジオ・アルバム『Me. Me. Me.』がデラックス盤として＜4AD / Teenbeat＞からリイシュー!
ワシントンD.C.の主力インディー・バンド、アンレストの解散後、元メンバーだったマーク・ロビンソンとブリジット・クロスが1995年に結成したエアー・マイアミ。『Me. Me. Me.』はドラマーのガブリエル・スタウトとプロデューサーのガイ・フィクセンとともに、バンド名の由来であるマイアミの地で録音され、ロンドンのスタジオでミックスされた。リイシュー盤には、1995年のオリジナルアルバムに「Warm Miami May」(オリジナル未収録)、「Pucker」(未発表)、「See-Through Plastic」のフルバージョン(エディットバージョンのみがEPに収録)の3曲が新たに加えられた全16曲を収録。ピート・ワイスがオリジナルのアナログ・テープからリマスターを手がけ、フロリダを彷彿とさせるアクアブルーとオレンジ・ヴァイナルの2枚組仕様となっている。またコダマヒデアキ撮影作「Girl B 1988」が再びアートワークを飾る。

Having a record out on 4AD which looks like it was designed for release on Factory Records is perhaps the ultimate fulfillment of an Anglophile fantasy on Mark Robinsons part, but then again, its not like he wasnt doing similar things already. As his and Bridget Cross first major musical project following the end of Unrest, Air Miami isnt too far removed from the earlier band, but definitely concentrates more on a quirky, new wave-ish pop edge, as opposed to rough punk covers of King Crimson or the like, for instance. "I Hate Milk" and "World Cup Fever" become perfect opening tunes for the album as a result, the first pushing things on the frazzled feedback and hyper-keyboards front, the latter being probably one of the few soccer-related sports songs in American music history, at least up through the 20th century. Robinsons clean and bright singing fits snugly with the arrangements, and visions of John Hughes movie montages suggest themselves as perfect visual accompaniment. Sweetly sung lyrics like "Neely"s "Hey hey, Im going to f*ck you up today" help add to the overall off-kilter appeal. Fellow Unrest veteran Cross gets plenty of chances to shine as well, with the jangling "Seabird" and "Afternoon Train," among others, calling to mind more obscure but no less lovely dawn-of-Thatcher combos as the Marine Girls and Young Marble Giants. Drummer Gabriel Stout is a fine successor to Phil Krauths place with the traps, though given the lack of notable difference between their styles, one wonders exactly what went into Unrest calling it a day. Unsurprisingly, early drum machines provide percussion as well, a sonic signifier that also fits nicely more often than not. Me, Me, Me is a simpler musical pleasure than most, but its a fine one, and when Robinson and Cross jointly croon "I love you" on "Special Angel," everything feels right. ~ Ned Raggett