Rock/Pop
LPレコード

Singles 1991-1998

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フォーマット LPレコード
発売日 2023年09月01日
国内/輸入 輸入
レーベルA Colourful Storm
構成数 2
パッケージ仕様 -
規格品番 CLEARER001
SKU 4251804142663

構成数 : 2枚

  1. 1.[LPレコード]

    【A面】

    1. 1.
      Clearer
    2. 2.
      Alison
    3. 3.
      Popkiss
    4. 4.
      Chelsea Guitar
    5. 5.
      Fearon
  2. 1.[LPレコード]

    【B面】

    1. 1.
      Meet Johnny Rave
    2. 2.
      Elle/Air France
    3. 3.
      Try Happiness
    4. 4.
      A Gentle Sigh
    5. 5.
      Stephanie
  3. 2.[LPレコード]

    【A面】

    1. 1.
      River
    2. 2.
      Nimbus
    3. 3.
      Hit
    4. 4.
      Dirty Mags
    5. 5.
      Loony Tunes
  4. 2.[LPレコード]

    【B面】

    1. 1.
      Toulouse
    2. 2.
      Love Yourself
    3. 3.
      Melancholia
    4. 4.
      Marco Polo
    5. 5.
      What Do People Do All Day?

作品の情報

メイン
アーティスト: Blueboy

商品の紹介

English band Blueboy were part of the Sarah Records roster, making a style of indie rock that was usually toned down and emotionally nuanced but sometimes shot through with enthusiastic jangle. A strict label policy for Sarah was that singles were not included on LPs, but were a separate space for songs to be experienced with exclusive focus. Blueboy took this edict to heart, releasing eight singles in addition to three studio full-lengths during a run that lasted the majority of the 1990s. The compilation Singles 1991-1998 collects all of the bands non-album singles and their respective B-sides, presenting them in chronological order and all in the same place for the first time. Its an excellent singles comp in the tradition of Singles Going Steady, Louder Than Bombs, or Push Barman to Open Old Wounds, offering up some of the groups best tracks in a long playing format but also showcasing how much Blueboy evolved as the years went on. The earliest singles are spare, often led by lilting acoustic guitar and finding vocalist Keith Girdler evoking the same soft melancholy that the Zombies Colin Blunstone found on his solo albums. This is especially true on slight spacious tracks like "Chelsea Guitar" and "Stephanie," but the band picks up the energy with the addition of chiming guitars and peppy drums on relative rockers like "A Gentle Sigh" or with the bright cello and vocal harmonies of "Meet Johnny Rave." As the compilation goes on, Blueboy try on some different styles, experimenting with drum machines and synths on "Hit" and "River," delving into ambient formlessness on instrumental track "Nimbus," and eventually resembling something more like Britpop on later songs like "Looney Tunes," but they never fully let go of their melancholic indie pop core. Singles 1991-1998 is an excellent primer for Blueboy, with no shortage of tracks that stand on their own, but the songs also fit together for a continuous listening experience as good as (if not better than) some of the bands official albums. ~ Fred Thomas
Rovi

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