フロント・ウーマンSADIE DUPUISの存在感とニルヴァーナ・ミーツ・ぺイヴメントと称されるバンド・サウンドで高い人気を誇るSPEEDYORTIZが、ILLUMINATI HOTTIESのSARAH TUDZINとの共同制作にて2018年以来となる4THアルバム『RABBIT RABBIT』をリリース。
2011年の結成以来、他のロックバンドにはない高揚感とダイナミズムを放ち続け、独創的なソング・ライティングで後進のバンドにも大きな影響を与えてきた彼らの待望の新作です。TOUCH AND GOの流れを汲んだギザギザとしたギター、キャッチー極まりないヴォーカル & コーラスが得も言われぬ高揚感を生み出しています。

発売・販売元 提供資料 （2023/07/06）

Like a lot of people, Speedy Ortizs Sadie Dupuis had the time to examine her life and feelings more closely than ever before during the COVID-19 global pandemic. Unlike a lot of people, her reflection led not only to an emotional breakthrough but an artistic one as well. Rabbit Rabbit, her bands fourth album, turns up everything vital to Speedy Ortizs music by several notches -- the odd meters, the engaging hooks, but most of all, the disarming honesty. For the first time, Dupuis examines the abuse she suffered as a child and its aftermath in song, and it roots Rabbit Rabbit in gripping authenticity. The articulate lyrics that sometimes acted like a shield on previous Speedy Ortiz albums now feel like a lifeline. When Dupuis sings "Dont wear a ponytail/If you can help it, dont go alone" in a near-monotone on "Whos Afraid of the Bath," its far more unsettling than a scream would be; "Brace Thee" traces the breakdown of old coping mechanisms ("All the shapes you backed me into/An outline I cannot shake off"); and "Ghostwriter" questions "how to move on" over guitars that fall somewhere between storming and jubilant. Dupuis confessions rarely take a straight path. Shes just as likely to take the scenic route, as on "Emergency & Me" ("Im so embarrassed/I danced around my ethics") as she is to crystallize them into brilliant one-liners on "Plus One" ("call me when you need a plus zero"). The novelistic detail in lines like "Falling in love with L.A./Where the cars cut you off from the right lane" (from "You S02") only heightens the impression that the bands songs are actually short stories in disguise. Rabbit Rabbits music is just as eloquent at expressing the slippery mix of anger, fear, disgust, and self-aware humor that lingers after trauma. Working with Illuminati Hotties Sarah Tudzin as co-producer and engineer, Speedy Ortiz give their sound a hi-def makeover thats in sharp focus but far from simple; songs like "Kim Cattrall" are awash in sonic details and sprawling guitars that are held together with heroic doses of melody. This is some of the bands heaviest music, in both senses of the word. "Ranch vs. Ranch" borrows teeth-rattling riffs from the alt-metal that soundtracked the groups teenage years. They couple those surging guitars with eerie electronics to striking effect on the climactic "Cry Cry Cry," where Dupuis confronts her discomfort with crying like a showdown with a big bad. Moments like these make Rabbit Rabbit the work of a band willing to push themselves to the limit. Untangling Speedy Ortizs hyper-detailed words and sounds is always time well spent, but these fierce, surprising songs are some of their most satisfying work yet. ~ Heather Phares

Rovi