Evidence of the creative latitude granted in the 80s by music executives, and of the maverick studio derring-do that resulted from it, can be found in the track that starts this four-disc boxed set. Warner Bros., in 1987, approached Arthur Baker to remix Fleetwood Macs first single in roughly half a decade. What the label received would be parenthetically titled "Extended Remix," but "Big Love" underwent something else, what Baker notes in the rich accompanying booklet as "more of a reproduction." Pattering drums are recast into a slamming beat with ricocheting handclaps. Overdubbed keyboards from David Cole and Gary Rottger roll and bob with as much power as those of a Chicago house track. Gail King executes the wizardly edits, and then -- whats that? -- the voice of Stevie Nicks, unheard on the album version, sounding like a would-be house diva. "Big Love" hit the Top Ten of Billboards dance chart, the same height reached by well over a dozen of the other selections on this second volume of a series launched in 2021 with Dance Masters: Shep Pettibone. Full of ideas and gumption, and in a constant sort of dialogue with what he heard in New York clubs like the Paradise Garage, Danceteria, and Funhouse, Baker was one of the premier club producers and remixers throughout the decade covered herein. He started humbly with underground disco singles like Larry Wedgeworth and Cliques "No More Games," which due to bad timing and a low profile didnt become an anthem for his hometown Boston Celtics the way the Pittsburgh Pirates had adopted McFadden & Whiteheads "Aint No Stopping Us Now." In 1981, he first connected with both Afrika Bambaataa and Pettibone for the purely old-school hip-hop of "Jazzy Sensation," and the next year took off both artistically and commercially with the Kraftwerk-derived electro classic "Planet Rock," the first Top Ten dance single here. Eight of the subsequent tracks, headlined by newcomers, short-lived projects, and established stars alike, topped the chart. Among them are solo productions like Freeezs ringing "I.O.U.," written with frequent associate John Robie, and commissioned remixes Baker either "reproduced" or retouched with reverence, such as Roberta Flacks "Uh-Uh Ooh Ooh Look Out (Here It Comes)," a delightful Ashford & Simpson-written respite from new jack swing. Additionally, theres a smart balance between other evergreen Top Ten dance bombs (New Orders "Confusion," the video of which was filmed at the Funhouse with Baker co-starring) and fascinating relative obscurities (a rather busy promotional remix of Pet Shop Boys "Suburbia" makes its first appearance on compact disc). Licensing barriers likely prevented the inclusion of Bakers work on Bruce Springsteens Born in the U.S.A. singles. The gold beyond this indispensable set is not limited to Planet Patrols "Play at Your Own Risk," Diana Ross "Swept Away," and the storming "Rapid Eye Mix" of Will Downings "In My Dreams," left off by Baker in favor of a sweeping version of the same eras "A Love Supreme." ~ Andy Kellman

Rovi