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DVD/ブルーレイ
LPレコード

Buzz Buzz (25th Anniversary Edition)

0.0

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フォーマット LPレコード
発売日 2023年10月06日
国内/輸入 輸入
レーベルKidz Bop
構成数 1
パッケージ仕様 -
規格品番 KDZB24681
SKU 888072502178

構成数 : 1枚

  1. 1.[LPレコード]
    1. 1.
      I Really Love To Dance
    2. 2.
      The Pretzel Store
    3. 3.
      Pig On Her Head
    4. 4.
      Bumblebee (Buzz Buzz)
    5. 5.
      Telephone
    6. 6.
      There’s A Little Wheel A-Turnin’ In My Heart
    7. 7.
      Monster Boogie
    8. 8.
      In The Clouds
    9. 9.
      The Cookie Baker Of The Night
    10. 10.
      The More We Get Together
    11. 11.
      I’m A Mess
    12. 12.
      Ice Cream Cone
    13. 13.
      Clean It Up
    14. 14.
      Little Red Caboose
    15. 15.
      Rum Sum Sum
    16. 16.
      Magic Box
    17. 17.
      The Valley Of Vegetables
    18. 18.
      Popcorn Calling Me
    19. 19.
      Lots Of Little Pigs
    20. 20.
      The Erie Canal
    21. 21.
      I Had A Friend

作品の情報

メイン
アーティスト: Laurie Berkner

商品の紹介

Laurie Berkner's second children's album doesn't tamper much with the formula that made her first effort, Whaddaya Think About That?, an overnight success. Once again it is Berkner's finely tuned understanding of her audience that sets her apart. Her songs are characterized by an uninhibited absurdity that is fresh and unpredictable. One song is centered matter-of-factly on the idea that "Laurie's got a pig on her head [and] she keeps it there all day." Another is about an elusive bunch of pretzels that keep escaping a hungry person. Berkner also has a knack for colorful rhymes that aim to engender an enthusiasm for language in her young fans. Her lyrics are populated with lines like "you pull it like a taffy and you whop whop whop," "their names were Jackson and Max," and "sizzle sizzle pop a-pop pop." Berkner writes most of her songs in preschool music classes, and they depend a lot on her interaction with the children. That helps to make them dynamic and engaging, but somehow Buzz Buzz doesn't seem to hold up as well as its predecessor in the depersonalized context of a studio recording. "I Had a Friend," for instance, was originally a platform for improvising rhymes for her students' names. It seems a little stiff on a pre-recorded CD. Her rap number "I'm a Mess" would probably be a little less grating if there were toddlers in the house to back her up. But chances are good that Berkner's listeners will be too busy dancing their heads off to notice any shortcomings. ~ Evan Cater
Rovi

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