It's perhaps logical that this latest exercise in combining swaying Latin rhythms and full-on heavy metal would come from the swamps of New Jersey-certain parts of the state have long been fertile territory for metal in its hydra-headed manifestations. CONFESSION, Ill Nino's sophomore album, builds and improves upon the band's integration of the two musical forms in a tour de force of titanium-throated vocals, hairpin rhythms, and speaker-shredding guitars.
The Latin influence manifests itself in percussive shadings and a melodicism on tracks such as "Lifeless-Life" and "Unframed" that push the band beyond stock metal riffing. The music even bears a certain lilt-not a word usually associated with the foundation-shaking bass and breakneck drumming of the genre-that sets Ill Nino apart from most of its Jersey-based contemporaries and more than a few national acts to boot. Though the combination of Hispanic culture and metal isn't new, Ill Nino certainly displays enough confidence and natural-born swagger on CONFESSION to make it seem that way.
Rovi
う~ん熱い。実に熱い。あの南米のヘヴィーネス・バンド、イル・ニーニョが帰ってきた! 途中、メンバーの脱退というアクシデントもあったが、後任に元マシーン・ヘッドのアールー・ラスターらを迎え、さらに熱いニュー・アルバムを完成させたのだ! もちろん、独自のグルーヴとパーカッション・サウンドは健在。この両者がカッコ良く絡み合い、またしても唯一無二の世界を作り出している。
bounce (C)山口 晃司
タワーレコード(2003年10月号掲載 (P93))