マイク・オールドフィールドが監修したオリジナル・アルバムのハーフスピード・アビイ・ロード・マスターに加えて、2012年のロンドン・オリンピック開会式で演奏された「Tubular Bells/In Dulci Jubilo」、13年に発表されたオールドフィールドとドイツのDJ/プロデューサーのヨークのコラボレート・アルバム『Tubular Beats』に収められていた「Tubular Bells (Mike Oldfield & YORK Remix)」、さらに17年の『Return To Ommadawn』発表後、新たに取り組んでいた『チューブラー・ベルズ』の続編制作のセッションから、今回初出となる約8分の「Tubular Bells 4 Intro」の未発表デモなどを収録。「Tubular Bells 4 Intro」はオールドフィールド最後の録音となる可能性がある。

発売・販売元 提供資料 （2023/05/23）

Mike Oldfield's groundbreaking album Tubular Bells is arguably the finest conglomeration of off-centered instruments concerted together to form a single unique piece. A variety of instruments are combined to create an excitable multitude of rhythms, tones, pitches, and harmonies that all fuse neatly into each other, resulting in an astounding plethora of music. Oldfield plays all the instruments himself, including such oddities as the Farfisa organ, the Lowrey organ, and the flageolet. The familiar eerie opening, made famous by its use in The Exorcist, starts the album off slowly, as each instrument acoustically wriggles its way into the current noise that is heard, until there is a grand unison of eccentric sounds that wildly excites the ears. Throughout the album, the tempos range from soft to intense to utterly surprising, making for some excellent musical culminations. Mandolins and Spanish guitars are joined by grinding organs and keyboards, while oddball bells and cranking noises resound in the distance. In the middle of the album, guest Vivian Stanshall announces each instrument seconds before it is heard, ending with the ominous sounding tubular bells, a truly powerful and dominating instrument. The most interesting and overwhelming aspect of this album is the fact that so many sounds are conjured up yet none go unnoticed, allowing the listener a gradual submergence into each unique portion of the music. Tubular Bells is a divine excursion into the realm of new age music. ~ Mike DeGagne

Rovi