I Thought I Was Better Than You＜限定盤/Opaque Pink Vinyl＞

イギリスのミュージシャン、作家、ルネッサンスマン、バクスター・デューリー。20年以上にわたって立ちはだかった父、イアン・デューリーの音楽的影をついに具現化したニュー・アルバム『アイ・ソート・アイ・ワズ・ベター・ザン・ユー』、リリース。

ミュージシャン、作家、ルネッサンスマンであるBaxter Duryが、Paul White(Golden Rules、Charli XCX、Danny Brown)のプロデュースによる7枚目のスタジオ・アルバム『I Thought I Was Better Than You』を、Heavenly Recordingsよりリリースする。
アルバムでは、Baxterのレギュラー・ボーカリストであるMadeline Hartに加え、注目の新人シンガーソングライター、EskaとJGrreyもフィーチャー。Baxterが2021年に出版した著書『Chaise Lounge』の延長線上にある内容で、彼は自分のユニークな子供時代の物語を勝ち誇ったように語っている。おそらく、Baxterにとって最も重要なのは、このアルバムがヒップホップの影響を受けた緩やかなスタイルで演奏され、『Chaise Lounge』自体のサウンドトラックになっていることだ。アルバムは、これまで以上にBaxterという人物に近づいているように感じられる。Baxterの6枚のアルバム、そして20年以上にわたって立ちはだかったIan Duryの音楽的影が、ついにここで具現化した。それは、もはやタブーではなく、Baxterは父親の遺産に正面から向き合い、そうすることでそれを祓い清めているのだ。

On his 2023 album I Thought I Was Better Than You, Baxter Dury turns his trademark louche rambler persona with a line on late-night, neon-slicked grooves one twist to the left. With the help of producer Paul White -- who had worked with Danny Brown and Charli XCX in the past -- Dury turns his gaze to the privileged, fame-adjacent upbringing he enjoyed/suffered and sets his self-lacerating musings to a R&B- and hip-hop-inspired sound. To get the desired effect, White took Durys homemade demos and gave them a polish. The result is a smoother, more relaxed backdrop for Durys spleen venting and toxic reminiscences that focus on the strange benefits that came with being the son of a well-known musical icon. He doesnt spare himself much here, and the results can be a little bleak, something Dury knows all too well, and as in the past, much of the sonic landscape is taken up by sweetly sung choruses. These angelic commentaries are delivered here by a new cast of characters that includes Eska Mtungwazi, JGrrey, and Madeline Hart. They play their roles perfectly, and Durys eye for collaborators is as sharp as his wit. As usual, thats very, very sharp, and to that end there are a sackful of memorable lines, rhymes, and asides to be found on the record. "Burger King trousers" and "kettlebells in the stairwell" are two fine examples of the kind of language not usually found on pop records, but they are the kind of gems that drop from Durys lips like they were nothing. The choice this time out to adopt more of a hip-hop and R&B influence was a good one, and he and White make it work without lapsing into rip-off territory. Though his passion for the sound is evident, Dury never seems like a poser. As he says, he might want to sound like Frank Ocean, but he always ends up sounding like Ian. Dury, that is. And like himself, now. In fact, after releasing as many excellent albums as he has over the years, and forging a path thats truly unique despite the resurgence of blokes and birds talking over indie rock, Baxter Dury deserves to be considered fully free of his fathers shadow. Maybe after releasing this subtly brilliant and pleasingly scathing album, hell finally believe it too. ~ Tim Sendra

風変わりな子ども時代を回想した著作「Chaise Longue」と地続きの7作目。ここでの彼は大々的にヒップホップ的サウンド・アプローチを試みつつ、実父イアン・デューリーの諸作に肉迫するような不気味なほどクールでファンキーな音絵巻を紡いでみせている。ダミ声の退廃的な響きは父よりもむしろセルジュ・ゲンズブールに近く、ねばっと絡みついて離れなくなるのでご注意を。
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