Heaven & Hell＜Crystal Clear Vinyl＞

Following years of buildup and a whopping eight singles, Ava Max finally delivered her first official studio full-length, Heaven & Hell. Well worth the extended promotion, the album is a masterful pop debut, one of those might-as-well-be-a greatest-hits collections like Lady Gagas The Fame, Dua Lipas self-titled LP, or Katy Perrys One of the Boys. Indeed, Max is a kindred spirit with those hitmakers, both in vocal delivery and her knack for picking out an effective earworm, of which there is an embarrassing abundance on Heaven & Hell. Thematically divided into those two titular sides, the album takes that well-worn dichotomy and splits the track list between energetic bops and moodier -- but no less catchy -- doses of dark pop, all bound together by primary producer Cirkut (Marina, Katy Perry, Kim Petras). Opening with the swirling electronic H.E.A.V.E.N., the first half features Maxs high-energy empowerment anthem Kings & Queens; the sleek, bass-driven Naked; the bouncy disco-funk OMG Whats Happening; and Tattoo, which sounds like a 2010 time-warp collaboration between Perry and Carly Rae Jepsen. Although every song is a potential hit, Born to the Night is a standout, a blissful dose of shimmering synths and 80s-inspired groove that evokes similar moments on Gagas Born This Way. On the shadowy side of things, Max sheds her wide-eyed and lovelorn optimism, erecting protective barriers and revealing a sharp set of claws. Demanding better treatment from a lackluster lover, she reminds, Im not a bite/Im a five course meal on the cautionary Take You to Hell. Later, on the sly kiss-off Whos Laughing Now, she rides a Clean Bandit/Ace of Base island groove into the sunset, laughing mischievously as the person who wronged her is left in the dust. Pulsing mainstream hits So Am I, Salt, and global smash Sweet but Psycho also occupy this side, but its the slow-burning Belladonna that really digs in its teeth, a menacing synth-washed warning that equates Max with the deadly nightshade. Theres not a moment wasted over the course of these 15 tracks, and she is clever enough to balance the immediate jams with satisfying deep cuts like Born to the Night and Belladonna, providing a break from the action and intensity with earworms that are no less effective. Heaven & Hell is an expertly crafted gem, showcasing the young hitmakers burgeoning star power, relatable personality, and sonic range. ~ Neil Z. Yeung

『Sweet But Psycho』の全英No.1ヒットで華々しくデビューを飾って以来、レディー・ガガの再来と言われてきたアメリカ人シンガーがついにアルバム・デビュー。ケイティ・ペリーなどを手掛けるサーカットが全面プロデュースを担当し、レッドワンやシェルバックも協力。チャーリー・プースも共作で参加する。前半はポップな〈天国〉を、後半はダークな〈地獄〉を展開するが、アルバム全体としてはアッパーで統一。ピーター・シリングの"Major Tom"や、アバ、エイス・オブ・ベイスの名曲フレーズの挿入など80年代流用の巧さが光っている。ポップ・シーンの王道をしっかり聴き込んできた人なのだろう。ガガ超えは容易ではないが、キャラの強さと歌唱力に関してはまぎれもなくガガ級だ。
bounce (C)村上ひさし