Golden Hour (5th Anniversary)＜限定盤/Sky-Blue Vinyl＞

Golden Hour shimmers with the vivid colors that arrive when the sun starts to set, when familiar scenes achieve a sense of hyperreality. Such heightened emotions are a new aesthetic for Kacey Musgraves, who previously enlivened traditional country with her sly synthesis of old sounds and witty progressive lyrics. Musgraves barely winks on Golden Hour, disguising her newfound emotional candidness behind a gorgeous veneer of harmonies and synthesizers. Sonically, the album doesn't scan country. Whenever Musgraves makes an explicit nod to the past, she acknowledges the smooth grooves of yacht rock and the glitterball pulse of disco, styles that only have a tangential relationship with country but feel more welcome in a landscape where R&B and hip-hop are embraced by some of the biggest stars in country. Musgraves doesn't mine this vein, preferring a soft, blissed-out vibe to skittering rhythms and fleet rhymes. At their core, the songs on Golden Hour -- which Musgraves largely co-wrote with her co-producers Ian Fitchuk and Daniel Tashian, but also featuring Natalie Hemby, Luke Laird, and Shane McAnally, among other collaborators -- don't play with form: they are classic country constructions, simply given productions that ignore country conventions from either the present or the past. This is a fearless move, but Golden Hour is hardly confrontational. It's quietly confident, unfurling at its own leisurely gait, swaying between casual confessions and songs about faded love. The very sound of Golden Hour is seductive -- it's warm and enveloping, pitched halfway between heartbreak and healing -- but the album lingers in the mind because the songs are so sharp, buttressed by long, loping melodies and Musgraves' affectless soul-baring. Previously, her cleverness was her strong suit, but on Golden Hour she benefits from being direct, especially since this frankness anchors an album that sounds sweetly blissful, turning this record into the best kind of comfort: it soothes but is also a source of sustenance. ~ Stephen Thomas Erlewine

前作と前々作を全米TOP3内に送り込んだ新世代のカントリー・ディーヴァによるメジャー第3弾。ここでの彼女の挑戦はファンを驚かせるかも。しかし驚きがなきゃ挑戦する意味がない。持ち前のトラディショナルな風合いにエレクトロニックなサウンドを混ぜ、柔らかなポップ感覚を纏った楽曲はどれも輝きに満ち、可憐な歌声の魅力を存分に引き出している。昨今のインディー・アメリカーナに目がない方もぜひ。
bounce (C)山口智男