One of the few true shocks in rock music is when a young band with a seemingly short shelf life manages to transform itself into a cohesive, enduring, and artistically diverse outfit. Take Silverchair, whose plodding angst anthems were the subject of much ridicule during the group's initial splash. But they somehow kept going and kept improving, and Diorama is the sound of a band finally growing into their own skin. These songs have a sense of space and tunefulness that was always missing from the band's previous efforts, and the production (by David Bottrill, with orchestrations courtesy of Van Dyke Parks) brings to mind everything from the charging anthems of Big Country to U2's first experiments with Brian Eno. Singer Daniel Johns steps into the forefront here, showcasing his rich voice and shockingly catchy, twisting tunes with melodies that are hardly predictable but often delightful. His efforts recall deceased singer/songwriter Josh Clayton-Felt, as they utilize a similar vocal approach and channel the same sort of psychedelic soul on tracks like "Tuna in the Brine." A song like "World Upon Your Shoulders" sounds utterly unlike the post-grunge efforts of Johns' earlier work, but in one song he takes the washed-out symphonies of Soft Bulletin-era Flaming Lips and the delicate falsetto pop of Jeff Buckley and combines them into a digestible pop nugget. The solid guitar work from Johns also shows growth, as the songs often drift into Edge-like noodling that compliments his voice much more than the chugging riffs of their first few albums. "Without You"'s Goo Goo Dolls-lite is an unwelcome twist, taking their newfound sense of melody and giving it a blustery chorus that robs the track of its power. The thick "One Way Mule" is another minor disappointment, reverting back to Silverchair's grunge sound for a song that has little of the intelligence and beauty of the rest of the album. But mostly this is a wonderful surprise from a band thought to have been finished in the late '90s. Being hesitant to give this a chance is perfectly understandable, but Silverchair has grown up and put together a fine mix of orchestral pop and rock on Diorama. ~ Bradley Torreano
Rovi
この新作で人々はシルヴァーチェアーのイメージをひっくり返されるはず。ストリングス・アレンジにヴァン・ダイク・パークス参加という驚愕の事実! メタリックでありながら体温を感じさせるギターと、そこに絡むドラマティックなストリングスはかなりスリリングだ。ヴァン・ダイクに〈ブライアン・ウィルソンに次ぐ才能溢れる人物〉と評されたヴォーカルのダニエル・ジョーンズは、嬉しすぎて卒倒しなかったのかな?
bounce (C)米田貴弘
タワーレコード(2002年7月号掲載 (P99))
丁度、デビューがグランジ世代と同時期であった為に、音楽的には決して交わる物ではないにも関わらず、同じ枠組みに入っていた彼等。ここ最近のグランジ復興ブームを見ても思うが、あの時代からサヴァイブし続けた連中の強さは恐れ入る限りだと改めて痛感させられる。