Intro Bonito

On Intro Bonito, Kero Kero Bonito use the mixtape format to revel in D.I.Y. collages that are more vibrantly expressive than a straightforward album would be. Jamie Bulled, Gus Lobban, and Sarah Midori Perry created most of Intro Bonito on a Casio keyboard, and it proudly sounds like it. On songs like "Cat vs. Dog," which fashions mewing, barking, and bongos into a catchy summary of the age-old battle between felines and canines, the trio sprinkle their music with playful sounds and samples like the musical equivalent of emoji-laden texts. Intro Bonito also captures Kero Kero Bonitos sound at its most fluid. On the title track, Perry nimbly switches between English and Japanese mid-lyric as the groups influences -- hip-hop, shibuya-kei, and other forms of J-pop, and 8-bit -- create sparks as they bump against each other. Childrens music and flashy commercials and TV show themes from the 1980s and 90s also provide plenty of fodder for the band to subvert on cheeky fanfares such as "Bonito Intro" and "Kero Kero Bonito," which reveals that "politics," "fashion," and "banana" are all part of the trios bubbling chemistry. Likewise, Intro Bonito balances Kero Kero Bonitos exuberance with wit and sophistication. The blobby bass and sparkling waves that surround "Pocket Crocodile"s surreal tale of pets and mortality are some of the mixtapes most complex sounds, while the rich sense of place the trio explored further on Time n Place and Civilisation is present on the sunny "Park Song" and the Studio Ghibli-like mix of mischief and eeriness in "Lets Go to the Forest"s rattling and elastic tones. Meanwhile, Perrys lyrics imbue the music with a distinctive personality and viewpoint that stand out from the intentionally anonymous, detached approach of some other hyper-pop acts. Perry distills complex feelings into deceptively simple lyrics that question norms and accept differences on songs like "Sick Beat," rejecting typically "girly hobbies" in favor of video games, and she muses on her biological destiny as a "child producing machine" over naive synths on "Babies (Are So Strange)." The combination of Intro Bonitos fantastical sounds and genuine emotions is a winning one. "Small Town" touches lightly but poignantly on Perrys feelings of being an outsider due to her Japanese-English heritage when she sings, "They all think I am so strange/Because I dont look quite the same." Like the best pop music, Intro Bonito is relatable and extraordinary at the same time. Kero Kero Bonito may have tightened their style into hooky perfection on Bonito Generation, but theres something especially endearing and exciting about how they jump from one shiny sound or clever idea to another on these songs. As Perry sings on "My Party," "Even if you dont know us/Youre gonna have a good time." ~ Heather Phares

イギリス人男子のガスとジェイミー、そして日本人のサラ嬢から成る3人組、ケロ・ケロ・ボニト。ネット界隈でジワジワと話題を集めてきた彼らが、ダブル・デニムより満を持してアルバム・デビューを飾った。ユニークなのはユニット名のみならず、ベース・ミュージックやチップチューン、エレクトロ、沖縄音楽などを興味が赴くままに呑み込み、そこに英語と日本語がゴチャ混ぜになったキュートなバイリンガル・ラップ/歌を乗せている点。トラックもサラのパフォーマンスも恐ろしくチープで、かつ愛くるしい。UKのダンス・カルチャーと〈クール・ジャパン〉が自由奔放にぶつかり合った、いままで聴いたことのないような一枚。これは世界規模で人気を集めそうだ。
bounce (C)青木正之