!Salud! Joao Gilberto

Jon Hendricks idolizes Joao Gilberto -- he has spoken fondly of their first meeting where they scatted to each other before ever speaking a word -- and he wasted little time putting together a tribute album at the height of the first bossa nova wave. It ought to come as no surprise that he would display total sympathy with the bossa nova manner here, singing softly and smoothly -- and Hendricks' English wordplay is quite faithful to the original tunes and meanings of the Portuguese lyrics, in contrast to his usual whimsical work with jazz improvisations. Hendricks is particularly winning, and irresistibly swinging on the rare occasions ("Voce E Eu," "Samba Da Minha Terra") when he scats to the Brazilian rhythm; he should have done more of that here. But then, his versions of Gilberto's repertoire are carefully based on Gilberto's early EMI/Odeon recordings (now available on The Legendary Joao Gilberto); even Antonio Carlos Jobim's string and wind charts for the originals are preserved by adapter Johnny Mandel. Alas, the only Hendricks lyric that has become a universal standard is Jobim's "Chega de Saudade" ("No More Blues"). As Hendricks' only album-length encounter with bossa nova, Salud! Joao Gilberto Originator of the Bossa Nova is essential. ~ Richard S. Ginell

絶妙のコーラス・ワークでジャズ史上にその名を残した混声コーラス・グループ、ランバート・ヘンドリックス&ロスの元メンバー、ジョン・ヘンドリックス。“Water Melon Man”の作詞を手掛けたことでも知られる彼が、61年にボサノヴァの産みの親であるジョアン・ジルベルトに捧げたジャズ・ボサ集がリイシュー。気だるいボサノヴァのリズムと、彼の気の抜けたような下手ウマ?ヴォーカルとの相性が抜群です。
bounce (C)広瀬毅