What Matters Most

ピアノをメインにしたギターレスの3ピース・バンドBEN FOLDS FIVEの中心人物BEN FOLDS。8年ぶりとなるニューアルバム『WHAT MATTERS MOST』がNEW WEST RECORDSから待望のリリース!
8年ぶりのスタジオアルバムとなる今作は、共同プロデューサーであるJOE PISAPIAとイースト・ナッシュビルで録音されました。まるで背中を押してくれるようなあたたかで爽やかなサウンドには、現代社会を取り巻く様々な不安に挫けそうなとき、寄り添い支えとなってくれるようなアルバムを作りたかったという彼の思いが込められています。

After a hit Ben Folds Five reunion album in 2012 and a companion live LP the next year, Ben Folds seemed to seek routes away from, or merely adjacent to, his trademark piano pop/rock. He composed a piano concerto that accompanied pop songs backed by a chamber ensemble on 2015s So There, recorded a live album with the West Australian Symphony Orchestra, took a position as artistic advisor for the National Symphony Orchestra at Kennedy Center, worked as a producer, published a memoir, started a podcast about the creative process, and found work as an actor on Amazon Primes The Wilds before finally making his return to piano pop in 2022 with a soundtrack theme ("Its the Small Things, Charlie Brown"). Arriving a year later, What Matters Most is his first nonclassical solo album since 2008s Way to Normal. Largely provoked by current events, What Matters Most offers Folds typical mix of earnest and sardonic songs, but with perhaps a little more indignation behind them. Recorded in East Nashville with producer Joe Pisapia (Guster), its many guests include singers Dodie and Ruby Amanfu, indie folk duo Tall Heights, and a list of horn and string players, although these are pop-band songs, only some of which are fleshed out. Among the more sincere entries here is the confrontational piano waltz "Fragile," which calls out hypocrisy ("Something so fragile about you/Its how you get away with what you do") and features one of the string arrangements by Rob Moose. Also in that category are more triplet-metered tracks such as "Clouds with Ellipses," which features animated piano arpeggiation and a "choir of Dodies" as part of its graceful arrangement, and a wistful title track that notes, "In these days of overwhelming change, I just want to know what I want." In sharp contrast to these are playful takedowns including the hip-hop-tinged "Exhausting Lover" ("Every kiss is a jam band solo/Never gonna say YOLO no mo") and the faux-ode "Kristine from the 7th Grade," about alienating social media posts. Elsewhere, the theatrical harmony vocal-keyboard ditty "But Wait, Theres More" strikes a tonal balance with its reflections on the times relentless sociopolitical turmoil ("Pray that theres a bottom somewhere in sight/Brothers and sisters hold tight"). While this mix of vulnerability, anxiety, and resentment can feel uneven, Folds melodies are engaging as ever, and he finds balance again on highlights like "Moments" (featuring Tall Heights) and the pandemic-isolation-themed "Winslow Gardens." What Matters Most is also tied together with a consistent underlying sense of dread. With its brushed snare, simmering piano, and tender vocal delivery, the elegant "Moments" closes the album with a call for optimism, even in absence of reason. ~ Marcy Donelson

8年ぶりの新作は過去にベン・フォールズ・ファイヴをプロデュースした経験もあるジョー・ピサピアと共にイースト・ナッシュヴィルでレコーディングされたもの。前作で聴けたチェンバー・ポップの流れに加え、ピアノを中心にホーンや多重コーラスを加えた生音中心のアレンジが実に心地良い。歌声やメロディーも変わらず美しく、ポップ・ジャンキーにはたまらない内容です。
bounce (C)赤瀧洋二