2003年発売 ブリトニー・スピアーズの4thアルバム『In The Zone』をカラー・ヴァイナルで発売(ブルー・ヴァイナル)

2003年発売。最前線のヒップホップやクラブ・ミュージックの要素をふんだんに盛り込み、ポップ・ミュージックの枠組みを大きく拡げた本作には、キス共演で話題になったマドンナをフィーチャーした「ミー・アゲインスト・ザ・ミュージック」や、セクシーなミュージック・ビデオも注目された「トキシック」などを収録している。全米アルバムチャート1位を獲得。

発売・販売元 提供資料 （2023/02/10）

If 2001's Britney was a transitional album, capturing Spears at the point when she wasn't a girl, and not yet a woman, her 2003 follow-up, In the Zone, is where she has finally completed that journey and turned into Britney, the Adult Woman. Like her peer Christina Aguilera, Britney equates maturity with transparent sexuality and the pounding sounds of nightclubs, but since she's not as dirrty as Xtina, her spin is a little different. On In the Zone, Britney feels like the good girl next door cutting loose at college, since this is the first time she can indulge herself. She has been freed from her musical parent, Max Martin, who is absent for the first time from a Britney Spears album. Instead, Britney has decided to play the field and work with a bunch of different collaborators, including Madonna, Moby, the Matrix, TrixsterRoy "Royalty" Hamilton, Bloodshy, and Avant, and R Kelly. Since she's so determined to be a woman, not a girl, she has completely shed the sugarcoated big hooks and sappy love songs that drove her stardom, concentrating on music that glides by on mellow grooves, or hits hard with its hip-hop beats. It's all club-ready, but despite some hints of neo-electro and the Neptunes, it doesn't quite sound modern -- it sounds like a cut from 1993, or Madonna's Bedtime Stories and Ray of Light. Production-wise, these tracks are not only accomplished, they're much more varied than any of her previous albums -- in particular, the sleek feel of Moby's "Early Mornin'," the alluring "Breathe on Me" from Mark Taylor, and the irresistible Bloodshy and Avant productions, "Showdown" and "Toxic." They make In the Zone surely her most ambitious, adventurous album to date. ~ Stephen Thomas Erlewine

Rovi