Diamond Star Halos＜限定盤＞

Def Leppard count upon a fair portion of their audience recognizing the title Diamond Star Halos as a nod to a lyric from T. Rex, the glam titans who served as an eternal inspiration for the pop-metal bad. Glam has served as a primary motivator for Def Leppard before -- witness their fine 2006 album Yeah!, where they covered T. Rexs "20th Century Boy," along with Sweet, David Bowie, Mott the Hoople, and Roxy Music -- so it would appear that Diamond Star Halos would once again find the group returning to the glittering well. Thats not necessarily the case. If Diamond Star Halos is a throwback, its to the golden age of the CD, an era when Leppard thrived delivering albums that pushed the running length of a compact disc. Like Hysteria, this 2022 record runs well over an hour; its individual moments may not be excessive -- the grand closer creeps toward six minutes, but otherwise all the songs clock in around three or four minutes, the ideal length for a pop song -- yet the cumulative effect is almost overwhelming, especially as Def Leppard gives it their all in each cut. Leppard crank up the hooks, melodies, and amplifiers, adding little bits of distinctive flair along the way. "Liquid Dust" thrums to a heavy bass rhythm, the harmonies on "Angels (Cant Help You Now)" have an ethereal shimmer, while "This Guitar" feels as if it was mellowed in the sunlight, its country undertones accentuated by duet partner Alison Krauss, who performs a similar function on "Lifeless." These moments help put the craft of the rest of Diamond Star Halos into perspective, as the departures point out that Def Leppard can deliver big, silly arena rock like "U Rok Mi" with aplomb and enthusiasm. Taken as a series of moments, the album is pretty compelling -- so compelling, in fact, that when theyre assembled together, they are almost too much to take in one setting. ~ Stephen Thomas Erlewine

先行シングル"Kick"はクラップやコーラスを導入し、T・レックスなどのグラム・ロックに対する愛を全注入。そんなルーツを踏まえつつ、メロディアスな色合いを深めた12枚目のアルバムはスタジアム・ロック然とした雄大な曲調が印象的。"This Guitar"と"Lifeless"ではカントリー歌手のアリソン・クラウスが華を添えている。また、ラスト曲"From Here To Eternity"の泣きメロにはこのバンドの真骨頂を見る思いだ。
bounce (C)荒金良介