Maniacal＜限定盤/Colored Vinyl＞

Much has been written on metal and hardcore websites about the evolution of Sworn Enemy, who came out of New York City's hardcore scene in 1997 and became increasingly thrash metal-minded as time went on. This 2007 recording/2008 release definitely turns up the thrash factor, drawing on influences like Slayer, Exodus, Megadeth, and Anthrax. But Sworn Enemy haven't forgotten their hardcore roots; in fact, "thrashy metalcore" is probably the best way to describe Maniacal, which was produced by Tim Lambesis (of As I Lay Dying fame) and guitarist Joey Z. (Life of Agony). Lead singer Sal LoCoco still sounds like a hardcore/metalcore vocalist; he screams and yells his way through this 34-minute CD, never failing to sound angry and rage-filled. And Sworn Enemy have no problem making metalcore and thrash sound like a perfectly logical combination because that is exactly what they are. It's true that hardcore and thrash had different beginnings; hardcore was a direct offshoot of punk, and thrash came about when headbangers were influenced by punk and starting playing a lot faster (Motorhead was arguably the first thrash metal/speed metal band, and the likes of Venom, Slayer, and Metallica weren't far behind). Essentially, hardcore was punks acknowledging metal, while thrash was metalheads acknowledging punk -- and on Maniacal, punk and metal elements unite to create a loud, vicious, head-kicking sensory assault. There are, of course, numerous bands engaging in metalcore-related activities in the 21st century, but the thing that ultimately makes Maniacal worthwhile is the band's ability to come up with a fair amount of strong hooks. Perhaps working with Hatebreed's Jamey Jasta taught them the value of hooks -- Hatebreed, after all, has had some of metalcore's best hooks -- and while Maniacal isn't quite as consistent as it could have been, it is still a generally decent example of Sworn Enemy's ability to thrash their way through metalcore. ~ Alex Henderson

〈ポスト・ヘイトブリード〉の座を狙うNY発の極悪番長は、この3作目がいよいよ勝負時。 アズ・アイ・レイ・ダイングのメンバーがプロデュースした冷徹かつ残忍なサウンドメイクと、細かいギター・リフ&ソロ、ツーバスの刻みが全編を支配した気合十分の楽曲は、完全に現代版のスラッシュ・メタルだ。これぞ頭の固い懐古主義者なメタル爺に喰らわせる、鉄拳制裁じゃあああ!　2008年1月末に初来日が決定!
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