There Is No One What Will Take Care Of You

Q - 4 stars out of 5 - "...Uniformly adult alt.country...curiously uplifting in their downbeat approach. The very point where old ways meet new thoughts." Uncut - "[W]ith bare bones production and his voice like a crooked church spire." NME - "...[THERE IS NO-ONE] is music quite unlike anything in the US indie-rock scene--insane, minimal and beautiful..." Melody Maker - "...The Palace Brothers are sad, probably mad and living in a time and place we can only take their word for. You'll not hear another record like this until they make one....extraordinary..." Spin - "...Not just stripped-down but damn near gutted. THERE IS NO ONE glows with white-boy campfire soul..." Uncut - 5 stars out of 5 -- "[S]upremely prescient in devising a route out of post-hardcore guitar music....The album presents music utterly stripped back..."

Will Oldham's first album under the Palace rubric, There Is No-One What Will Take Care of You, seemed to emerge from under a cloud of mystery on its first release in 1993. The first edition had no credits save a list of names under the heading "Impossible Without," leading to all manner of speculation in the indie community about who was responsible; the album sounded as if some ancient songsters who had somehow escaped Harry Smith's attention years before had recorded a session in their living room, which somehow found its way to the offices of Drag City. On There Is No-One What Will Take Care of You, Oldham sounds like a lost-lost cousin of the Louvin Brothers who, after ending up on skid row, is equally convinced that Satan is real, since he smells his foul breath every waking moment of his life. Oldham's stark, intimate tales of sin, lust, alcohol, and hopelessness are fascinating, horribly compelling stuff, and while it would be easy for this material to sound ironic or condescending, it isn't -- Oldham makes his characters' shame, confusion, and desperate search for grace real and genuinely moving. There Is No-One What Will Take Care of You may not be the best Palace album, but it is the work where Will Oldham's obsession with sin and redemption shines forth with the most painful and absorbing clarity. ~ Mark Deming|