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CDアルバム

La Vie Electronique Vol. 1

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フォーマット CDアルバム
発売日 2024年04月05日
国内/輸入 輸入
レーベルMade in Germany
構成数 3
パッケージ仕様 -
規格品番 MIG00100
SKU 885513001009

構成数 : 3枚

  1. 1.[CDアルバム]
    1. 1.
      I Was Dreaming I Was Awake
    2. 2.
      And Then I Woke Up
    3. 3.
      And Found Myself Asleep
    4. 4.
      The Real McCoy
    5. 5.
      Time Never Dies
    6. 6.
      The Age of Shopping
    7. 7.
      Dynamo
  2. 2.[CDアルバム]
    1. 1.
      Mit jungen Augen
    2. 2.
      Es ist Abend
    3. 3.
      Ob es regnet
    4. 4.
      Heisser Tag
    5. 5.
      Study For Brian Eno
    6. 6.
      Fuzzy Logic
    7. 7.
      Hasten Slowly
    8. 8.
      Feed Your Head
    9. 9.
      Electric Dreams
  3. 3.[CDアルバム]
    1. 1.
      Fruhlicht
    2. 2.
      Etude pour une fin du monde
    3. 3.
      Bruitismus
    4. 4.
      Die Kultpumpe
    5. 5.
      Loch im Meer
    6. 6.
      Maschinenspiele
    7. 7.
      Die Grune Leiche
    8. 8.
      Gesang zur Dammerung
    9. 9.
      Study for Terry Riley
    10. 10.
      Les Jockeys camoufles

作品の情報

メイン
アーティスト: Klaus Schulze

オリジナル発売日:2009年

商品の紹介

The limited-edition box sets in the Edition series (Silver Edition, 1993, ten CDs; Historic Edition, 1995, ten CDs; Jubilee Edition, 1997, 25 CDs; all gathered [with extra material added] in Ultimate Edition, 2000, 50 CDs) are the most sought-after items in Klaus Schulze collectors' circles, exchanging hands at outrageous prices. In 2009, Klaus D. Mueller and Schulze began releasing La Vie Electronique ("The Electronic Life"), a series of three-CD sets that reissued all the material previously released in these long-deleted box sets, plus a few unreleased tracks, with all the material put back in chronological sequence (the Edition sets mixed things up, time line-wise). Volume 1 covers the years 1968-1972 and is mainly very interesting. One highlight is "I Was Dreaming I Was Awake and Then I Woke Up and Found Myself Asleep," a previously unreleased 25-minute piece that, is stronger than Irrlicht, Schulze's debut LP. "Cyborgs Traum" is also major Schulze material. Also, "Dynamo" and "Traumraum" feature rare occurrences of glissando electric guitar in Schulze's music. On the other hand, the 64-minute "Die Kunst, Jundert Jahre alt Zu Werden" is mediocre: it sounds like a long, in-studio improvisation during which the artist is trying out ideas but developing none. Then again, that is what this whole series is about: archival documents, experiments, drafts, and blueprints. And there's more than enough here to satisfy the fan. ~ Francois Couture
Rovi

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