Martin Jenkins(vln/mandocello/flu//vo)、Kevin Dempsey(g/vo)、Ted Kay(per)、Roger Bullen(b)、Dave Cooper(g/vo)により'68年結成されたブリティッシュ・フォーク・ロック/エレクトリック・トラッドバンド、英Young Bloodから発表された'70年デビュー作が欧Trading Placesより'23年復刻再発!

Martinによるマンドリン/フィドル/フルートなども交え、アシッド・フォーク/トラッド色が強く出たアコースティック・サウンドを披露。各人の高い演奏テクニックとマルチな才能を生かされて、異国情緒も感じさせる独特なムードを放っております。後の作品群とは印象の異なる場面もありますが、彼らの原点を伝える叙情的で暖かみのある作品です。

発売・販売元 提供資料 （2022/12/27）

On their first album, Dando Shaft came off as something like a more folk-oriented, yet also more hippie-oriented Pentangle. The percussive pulse of Roger Bullen's bass in particular gave much of the material a rhythmic swing that helped it stand apart from traditional folk, as did original material based around images of nature: rain, wind, leaves, the dawn, flowers, the country, and so on. The singing and songwriting betrayed a notable debt to Bert Jansch, though with a more whimsical bent that Jansch usually allowed. Their greatest assets, certainly in terms of putting their own stamp on a sound that bore close resemblance to aspects of Pentangle (and, more distantly, the Incredible String Band), were the colors added by multi-instrumentalist Martin Jenkins' mandolin, flute, and violin. As progressive folk that was pastoral in mood and not quite folk-rock, it was pleasant but ultimately not as distinguished or interesting as their unavoidable reference point, Pentangle. The Pentangle comparisons would if anything multiply when they added a female vocalist, Polly Bolton, for their next two albums. ~ Richie Unterberger

Rovi