古楽アンサンブルとフィリップ・ジャルスキーらも参加した、モンテヴェルディのマドリガーレを、自由に現代的解釈でアレンジした彼らのベストセラー盤がアナログLPで発売

モンテヴェルディのマドリガーレを、自由に現代的解釈でアレンジを施したもの。古楽器に加えピアノ、ギター、ベース、クラリネットまで出てきたりと、シャンソンのようなジャズのようなジャズ風、フラメンコ風など、その即興的な演奏は、普通の古楽とは違った楽しさが感じられる演奏です。ラルペッジャータの演奏の中の一番のベストセラー盤で、このアルバムを180gアナログLP盤として数量限定生産で発売。なお、LPの収録時間上、CDより収録曲が少なくなっております。
ワーナーミュージック・ジャパン

発売・販売元 提供資料 （2022/12/09）

A warning to purists: there's little in the packaging of this CD to indicate the interpretive freedom with which the ensemble, l'Arpeggiata led by Christina Pluhar, treats some of the Monteverdi love songs and madrigals on the album. There's a hint in the opening track, the Toccata from Orfeo, in its wonderfully reckless abandon and prominent use of percussion. In Ohime ch'io cado, the solo madrigal that follows it, the continuo part is transmogrified into a walking bass, the rhythm is swung, blue notes abound, and the Baroque trumpet launches into frankly jazzy riffs between verses. We're clearly no longer in the land of scrupulously authentic period performance practice. It's followed by a traditional, but lusciously sensual performance of "Pur ti miro," from L'incoronazione di Poppea, its accompaniment as direct and heartfelt as that of an Appalachian folk song, sung with a smoldering -- no, scorching -- erotic charge, by soprano Nuria Rial and counter tenor Philippe Jaroussky. So, the listener is kept off guard from track to track about what the style of each selection will be. What all the performances have in common, though, is an acute attention to the emotions driving each piece, and to giving those emotions authentic and eloquent expression. Other highlights include especially spirited performances of Lamento della Ninfa, Si dolce e 'l tormento, and Zefiro torna (in the sly setting from the 1632 Scherzi musicali). Pluhar's varied, inspired realizations of the scores, and the sensitive and lively contributions of the singers (Rial, Jaroussky, along with tenors Cyril Auvity and Jan van Elsacker and bass Joao Fernandes), and the instrumentalists of l'Arpeggiata, make these performances shimmer with vibrant energy. The sound of the live performance is clean, clear, and present, and the pleasure of the singers and players is practically palpable. Highly recommended.

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