"Locked Up"'s success provided Akon with instant heavyweight clout. Upgraded from writing songs and doing the occasional hook for B-, C-, and D-level artists, he tallied a multi-platinum album, was granted his own boutique label (which was used to spawn T-Pain), and became in-demand as an A-list collaborator -- he worked with Young Jeezy, R. Kelly, Gwen Stefani, and even Elton John. His second album, Konvicted, isn't much different from the debut (patchiness included), even though it comes from a different perspective. He even addresses his newfound fame, along with the expectations and other forms of grief that come with it, in a vague but very saddened way throughout "The Rain." For the most part, though, Konvicted offers more ultra-macho R&B. The guest spots come from Eminem, Snoop Dogg, and Styles P, leaving no room for female hooks or verses. Akon hits on strippers (but does not fall in love with them), smacks behinds, and tends to go with what suits him best: bragging and seducing while delivering like-sounding hooks in his unique voice. Whenever the yearning and heartache is allowed through, he's not persuasive, and he sounds like he still has the club on his mind. ~ Andy Kellman
Rovi
日本でも大きな話題を呼んだ“Lonely”だけでなく、アルバム『Trouble』も見事にヒットさせたエイコンが待望の2作目をリリース。哀愁を帯びた歌唱で客演人気も高い彼だが、その表現豊かな魅力は自己名義の作品でも揺るがぬ強さを放っている。エミネムをゲストに迎えてすでに全米ヒット中の“Smack That”をはじめ、レゲエ、ソウル、ヒップホップといったエッセンスを武器に、幅広い層へと訴求するであろう強力な仕上がりだ。
bounce (C)高橋 荒太郎
タワーレコード(2006年12月号掲載 (P95))
Akonの持ち味とも言える哀愁を感じさせるTrackと歌声はこの2ndでも変わらぬ世界を作り出している。
だがHip-HopやDancehallなど他ジャンルのTrackを使用した内容は1stに比べると無難にまとめたと言う印象があるのも確か。
素晴らしい世界観を作り出せるアーティストなだけに少し遊びが欲しかったと思う。