ロンドンをベースに活動し、ディス・イズ・ザ・キットのベース・プレイヤーとしても知られるロジー・プレインの新作が完成。自身5枚目となるアルバム『プライズ』、メンフィス・インダストリーズよりリリース。

Rozi Plainの独特なサウンドの核となるのは、シンプルさへの渇望と、物事の本質に迫り、その生来の美しさを明らかにしようとする繰り返し起こる衝動だ。これまでのアルバムを通して、彼女の催眠術のような、緩やかに歪んだ曲は、生まれ故郷ウィンチェスターから、ブリストルのにぎやかなDIYシーンに反響。現在はロンドンのクリエイティブな中心地から発せられるまで、着実に歩みを進めてきた。Memphis Industriesからリリースの5枚目のアルバム『Prize』では、Roziのユニークでハートフルなアプローチを引き続き採用。彼女が今、最も革新的で魅力的なソングライターの一人として認められている所以を理解することが出来る。

ロンドンをベースに活動するRozi Plainは、Kate Stablesによるプロジェクト、This Is the Kitのベース・プレイヤーとしても知られる。現在まで『Inside Over Here』(2008年)、『Joined Sometimes Unjoined』(2012年)、『Friend』(2015年)、『What a Boost』(2019年)と4枚のアルバムをリリースしている。

発売・販売元 提供資料 （2023/02/10）

After a Memphis Industries label debut, What a Boost, in 2019 that did just that to her stature in indie circles, frequent This Is the Kit collaborator Rozi Plain spent much of the next two years in recording studios in places like French Basque Country and the Isle of Eigg as well as in her base of London and in homes across the U.K. Much of that material formed the basis of her label follow-up, Prize, which features a core backing band of album co-producer Jamie Whitby-Coles (This Is the Kit) on drums, Amaury Ranger on bass, and Gerard Black on various keyboards and synths. Numerous guest musicians tracked along the way include the likes of This Is the Kit leader Kate Stables, avant-garde jazz saxophonist Alabaster DePlume, and electronics specialist Danalogue (the Comet Is Coming, Soccer96), who collectively foreshadow the records intricate, hypnotic blend of ruminative indie rock, quiet folk, and improvisational jazz, all in keeping with the character of its soft-footed predecessor. Stables appears alongside DePlume and others on the opening track, "Agreeing for Two," which quickly establishes Plains gentle, double-tracked vocals and her accompaniments often circular, interior-focused design. That songs crisp drum kit, syncopated guitar motif, and tuneful quality ultimately make it one of the livelier outings here, as the track list seems to move only deeper into dreamy contemplation as it progresses, although the album keeps a spring it its step. Part of its otherwise somnambulant quality comes from sequencing that moves effortlessly between moderate tempos and a consistent underlying instrumental palette, albeit with diversions into absurdist wordplay, as on "Complicated" ("Of course its complicated/You hate it/It needed eating, so you ate it"), more elaborate, piano-and-strings-accompanied jazz-pop on "Help" ("If its a feeling thats going/When it goes you wont even know"), and into quirky, shuffling borderline synth pop on "Painted the Room Black" ("This is the way there/Not the way back"). Final track "Blink," with its whimsical whooshing effects, water-droplet synths, buzzy horns, and repetitive, single-note guitar phrases is at least as strange and dreamy as the rest while likewise carrying listeners along on underlying rhythms, as if drifting into a half-sleep state on an airport autowalk. All told, Prize acts as a companion album to What a Boost, further distinguishing Plains idiosyncratic sound. ~ Marcy Donelson

Rovi