Memoirs Of Hi-Tech Jazz

Waajeeds first album for Berlin techno institution Tresor is a statement of both resistance and celebration. From its poetic introduction, the record incorporates riot sounds and protests, with sirens, gunfire, and cries for justice calling out from rich tapestries of strings and horns. "The Ballad of Robert OBryant" (Waajeeds birth name) has a midtempo strut that seems closer in spirit to New Orleans funk than hip-hop, but its synth grooves are clearly Detroit house at heart. The album reaches full acceleration with the sublime single "Motor City Madness," a breezy day trip that helps you forget your troubles for a few minutes. DeSean Jones is given a feature credit on the ebullient "Lets Give It Up," though he also contributes string arrangements and plays saxophone and EWI throughout the album. The interlude "Good Trouble," with its "No justice, no peace" chants, is a brief reminder to continue being aware and never give up the good fight, then it cuts out with a channel switch and segues into the smooth glide of "Keep It Coming." In a nod to Underground Resistance, whose headquarters are located just a few steps from Waajeeds Underground Music Academy in Detroits North End, the saxophone breakdown of "The Dub" bears a momentary resemblance to DJ Rolandos anthem "Jaguar." The swinging, rapturous "Remember" concludes Waajeeds most fully realized house project to date. ~ Paul Simpson