バレンボイム、祝80歳!シューマン交響曲全集のライヴ録音をリリース!

2022年11月15日に80歳の誕生日を迎えるダニエル・バレンボイム。ピアニスト、指揮者として今も第一線で活躍する巨匠の最新盤はシューマンの交響曲全集。昨年9月と10月にベルリンのフィルハーモニーと国立歌劇場でライヴ収録されたものです。バレンボイムにとっては、1975年&1977年録音のシカゴ響との全集以来となる録音です。

輸入盤のみBlu-ray Audio がついており、ステレオ・ミックス、サラウンド・サウンド・ミックス、ドルビー・アトモス・ミックスの3種異なるサウンドを楽しむことができます!

※バレンボイムとシュターツカペレ・ベルリンは2003年3月にシューマンの交響曲全集をワーナー・クラシックスへ録音していました(現在廃盤)。
ユニバーサル・ミュージック/IMS

発売・販売元 提供資料 （2022/09/15）

Daniel Barenboims 80th birthday in 2022 was attended by various reissues of his work, great and small, but listeners have shown a commendable ability to see through the marketing by putting this new set of Schumann symphonies, recorded live in 2021, on classical best-seller lists. This is the third time Barenboim has recorded the Schumann symphonies, and while this reading with his well-honed Staatskapelle Berlin is not cut from fundamentally different cloth than the earlier ones, it is delicate to a perhaps unprecedented degree. Barenboim, maybe more than any other conductor, realizes that lightness is the key to these works, as much as in Schumanns songs, and that the crucial small details emerge if they are given room to do so. Each symphony is thought out as an independent unit. Consider the Symphony No. 1 in B flat major, Op. 38, where Barenboim offers an end-heavy reading and makes a powerful case for it. The lightness of the first two movements is marvelous. In the Symphony No. 3 in E flat major, Op. 97 ("Rhenish"), Barenboim makes clear the immense influence this work had on the second half of the 19th century with its fusion of sonata form and programmatic imagery; his reading flows (so to speak) just beautifully. Deutsche Grammophons live sound is another draw in a Schumann set for the ages. Bravo, Maestro! ~ James Manheim

Rovi