Hugo

Following two acclaimed, gold-certified albums and a Mercury Prize nomination, British rapper Loyle Carner levels up with his third LP, Hugo. The albums lyrics reflect his newfound sobriety and fatherhood, and focus deeply on his struggles with identity, both as a Black man in the United Kingdom as well as his upbringing as a mixed-race person in a white family. Carner has always been known for his introspective lyrics and conversational tone, but here he writes with greater clarity as he opens up about his fears and conflicting emotions. On the brisk, well-paced opener "Hate," hes grateful for his success but disgusted at the system hes trapped in, and elsewhere hes concerned that his own mixed-race child will have to face the same struggles as him. Apart from the Madlib-produced highlight "Georgetown," most of the tracks were produced or co-written by regular collaborators like Kwes., Jordan Rakei, and Alfa Mist, who provide warm, occasionally jazzy backdrops for Carners pointed observations and soul-searching ruminations. The haunting "Blood on My Nikes" discusses living in fear and paranoia due to violence so constant that its become normalized, and "Plastic," which makes reference to The Guardian mistakenly publishing a photo of Kano in an article about fellow rapper Wiley, describes living in a society shaped by the artificiality of popular media. The albums final three tracks are some of its most confessional, as Carner recognizes the troubles hes had with his family, and doesnt want to be a poor father figure and continue a cycle of abuse and neglect. He forgives his biological father, whom he recently reconnected with, on the emotionally gripping finale "HGU." A concise, direct statement about how the world has shaped him, Hugo is Loyle Carners most accomplished work to date. ~ Paul Simpson

サウス・ロンドン生まれのラッパーが発表したサード・アルバムにして傑作。ジャズやファンクの要素が濃いビートに合わせ、差別や自身のルーツなどさまざまなテーマを掘り下げる歌詞は聡明な批評眼で溢れている。ユーモアたっぷりの言い回しを多用しつつ、平易な言葉でラップしていくスキルは流石の一言。社会問題を描きながら、その社会で育まれた思いやりが滲む尊い瞬間も忘れない姿からはカーナーの優しさが窺える。
bounce (C)近藤真弥