Broselmaschine＜限定盤＞

Peter Bursch(g/vo/sitar)、Willi Kissmer(vo/vo)を中心に'69年結成/80年代中期まで活動、00年代期に復活を果たし現在も現役活動中のドイツ産名サイケ/アシッド・フォーク・ロックバンド、ドイツ:Piltzから発表された'71年デビュー作がリマスターの上'22年LPにて復刻再発!
オリジナルはコレクターズ・アイテムにしてアシッド・フォーク/サイケマニアの間でも人気の高い1枚、シタール/コンガ/フルート/ツィター等を織り交ぜた独特の夢想感漂うサウンドと緩やかな男女ボーカルが織り成すメロウなアコースティック/フォーク・サウンドが絶品。同時期のドラッグ系サイケ群とは一線を画す、深い精神性に根ざした本格的なオリエンタル志向が伺える、懐の深い内容が素晴らしい名作です!!

Languorous atmospheres, lovely vocals, iridescent melodies, and shimmering solos combine on Broselmaschine's self-titled 1971 debut album, the apotheosis of the German folk-prog scene. The quintet took their cue from England's Canterbury scene and even a traditional folk song, "Lassie," from that green and pleasant land. The band's signature sound was derived from Jenni Schucker's delicate and at times ethereal vocals in harmony with Willi Kissmer's stronger tenor, and that sound took on a Teutonic tinge when the pair switched from English to German lyrics. But it was the group's extraordinary use of acoustic and electric guitars that cemented its reputation. On "The Old Man's Song," one of four vocal cuts on the set, Kissmer's wah-wah guitar wafts and winds around Peter Bursch's acoustic strums. On "Gitarrenstuck," the electric leads smolder like embers around the fiery acoustic rhythm guitar, while Schucker's wordless vocals float hauntingly above. It's the flute that soars overhead on "Gedanken," counterpointed by the moody Spanish-styled guitar, which itself is offset by the excitement of Kissmer's electric lead. Lutz Ringer's bassline adds an almost funky flair to "Lassie," and is also crucial to the album's two instrumentals, "Schmetterling" and the wittily titled "Nossa Bova." The former is a showcase for the band's percussionist, Mike Hellbach, who fills the number with tablas, instantly taking the sound into Eastern climes, a sighting enhanced by Bursch's sitar, even as a pastoral flute delicately dances above and the acoustic guitar shimmers in an ecstasy of chiming strums below. "Nossa Bova" also utilizes tablas, but its setting shivers between the Spanish plains and England's rolling rural hills. The music is gorgeous, but it's the relaxed atmospheres that truly entrance; there's not a forced note or extravagant moment within, with the music easily ebbing and flowing like water downhill. So self-confident were the bandmembers that they had no need for flashy musicianship, preferring instead to impress by the very understatement of their solos. The ambience is exquisite, casting a spell that isn't broken until the final note fades. A masterful album from start to finish. ~ Jo-Ann Greene