ヨハンソンによる、アニメーション映画「Varmints」の劇伴!
《ヨハン・ヨハンソン～And In The Endless Pause There Came The Sound of Bees》

2008年のアニメーション映画「Varmints」の劇伴で、ヨハンソンが得意とするエレクトロニクスの上にバランスよく配置された、痛々しいほど美しいオーケストラ作品のコレクション。しかし、意外なことに、映画そのものは音楽を楽しむための本質的な要素ではなく、ヨハンソンのスコアは、心に残る楽曲群として単独で完璧に成立しています。
多くのサウンドトラックがそうであるように、このアルバムは、レコードを通して現れては消える、繰り返されるテーマのセレクションで構成されています。オーケストラの軽快さを支えるアンビエンスの雲とシンセサイザーのうなり声は、このレコードにとって重要であり、Englabornを特別なものにしたのと同様の暖かさを与えています。これらの曲は印象的で深く感動的であり、一聴しただけで、映画そのもの、あるいは少なくともホームメイドのバージョンを思い浮かべることができるだろう。サウンドトラックであろうとなかろうと、ヨハンソンはここで、誰もがすぐに忘れることのない電子/クラシックヴィネットの比類なきコレクションをまたもや作り上げたのです。
180g重量盤LP

発売・販売元 提供資料 （2022/09/15）

Like many composers and musicians who make primarily instrumental music, Johann Johannsson’s work has been described as filmic, and he has in fact scored several films. Still, And in the Endless Pause There Came the Sound of Bees occupies a special place in his body of work. This music was written for Marc Craste’s 2008 short animated film Varmints -- which was adapted from Helen Ward’s Craste's illustrated book of the same name -- and it’s a story that fits the concerns Johannsson explored in works like IBM: A User’s Manual and Fordlandia with almost eerie perfection. Technology, hubris, overconsumption, and the environment all factor into Varmints’ tale of a little animal who must find a way to protect life as he knows it from an encroaching city. With the help of the Prague Philharmonic Orchestra & Choir, Johannsson covers purity and corruption, hope and despair, and the natural and mechanical worlds over the course of 37 minutes; a short-form work compared to some of his other albums. But while the massiveness of works like Fordlandia was part of what made them so stunning, And in the Endless Pause There Came the Sound of Bees’ strength comes from its small size -- much like the varmint the film follows. In just over three minutes, “Theme” sketches out the fragile beauty of the animal’s bee-filled meadow and the first hints of the coming devastation; “The Flat”’s industrial drones and electronic vapor trails evoke its aftermath in just a few minutes more. Even if this isn’t among Johannsson’s bleakest music, it’s among his most emotional, and much more somber than most scores for animated films. Yet his approach is never cartoonish. If anything, “Entering the City”’s muted strings and harp and the beckoning pipe organ and choir of “Siren Song” are some of his subtlest pieces, making the glimpses of light and hope in “Pods” and “Rainwater” -- which sounds so fresh that it seems to carry a breeze -- all the more tantalizing. As always, Johannsson conveys these shifts in mood effortlessly but with great nuance. The album’s most hopeless moments, such as the almost weeping soprano vocals on “City Building (Alt. Version)” and the vast bleakness of “Escape,” come before the sunrise of “Inside the Pods”’ strings and “End Theme”’s wide-open joy, but it feels far from cliched. And in the Endless Pause There Came the Sound of Bees was originally available as a 1000-copy vinyl release on Johannsson’s 2009 North American tour, but many more people than that need to hear this intimate album from a composer who expresses himself more exquisitely with each work. ~ Heather Phares

Rovi