Solidaritine

Its been five years since gypsy punk heroes Gogol Bordello released Seekers and Finders, their last studio album. In the interim, the world has endured natural disasters, the COVID-19 pandemic that killed millions, the U.S. Armys departure from Afghanistan, and the Russian invasion and continued occupation of Ukraine -- homeland of the bands singer, songwriter, and frontman Eugene Hutz. Though the 13 songs on Solidaritine were composed before the invasion, Gogol Bordello offer a poignant, raucous response through them. The set was produced by Lower East Side underground icon Walter Schreifels. Hutz and Russian violinist Sergey Ryabtsev -- the groups only original members -- are appended by Ecuadorian vocalist/percussionist Pedro Erazo-Segovia, Russian-born guitarist Boris Pelekh, French bassist Gill Alexandre, and North American vocalist Ashley Tobias and drummer Korey Kingston Horn. (The record hosts several guests too.) Although there are many different folk styles here, all are given utterance through punk and post-punk. Opener "Shot of Solidaritine" commences as a singalong but quickly erupts into an explosive punk anthem celebrating the collective strength of humanity with chanted choruses, blazing guitars, and galloping snares. Hutzs snarling growl is framed by sweeping violin. Fugazis "Blueprint" is re-envisioned as a loose, ska-inflected tune that channels the Pogues while staggering dangerously close to polka. "The Era of the End of Eras" offers a shambolic meld of acoustic and electric guitars, furious violin, and drums in a duet by Hutz and Bad Brains frontman H.R. The clattering punk shuffle/gutter Americana in "Im Coming Out" is an indictment of social media, "zombie lifestyle magazines," and the politicization of everyday life. "The Great Hunt of Idiot Savant" weds drunken garage punk and blasting Romani dance music in celebrating loves possibilities. "Take Only What You Can Carry" is the sets highlight. Though not written directly in response to the Ukrainian conflict, Hutz and Tobias deliver an anthemic duet offering emotional support to those displaced by war, famine, natural disaster, etc. amid careening violin, power chords, detuned piano, and crashing drums. The reprised version of "Forces of Victory" (originally on 2007s Super Taranta! album) was included in direct response to the invasion of Ukraine. Following fleet guitar arpeggios in the intro, Ryabtsevs violin leads the band into a maelstrom of hardcore punk. With assistance from Ukrainian poet and novelist Serhiy Zhadan and electro-folk band KAZKA, Hutz recalls historic victories over fascist dictatorships. "Fire on Ice Floe" combines surf and spiky reggae, while closer "Huckleberry Generation" melds garage rock, screaming punk, and gypsy melody with American literary myth, the tragedy of Chernobyl, and the undying spirit of revolt among the working class and dispossessed. While not quite as intense and transformative as a Gogol Bordello live show, Solidaritine is close. Its canny songwriting and sophisticated musicianship combined with Schreifels raw production make this album one of the bands finest to date. ~ Thom Jurek

マドンナもお気に入りだというジプシー・パンク・バンド、8枚目のアルバムは昨今の世界情勢にインスパイアされた一枚に。彼ららしいジャンルレスなパンク・サウンドを奏でつつ、NY アンダーグラウンド・シーンのアイコン、ウォルター・シュライフェルスをプロデューサーに迎えたこともあって、よりハードコア色が強まっている。エネルギッシュで初期衝動に溢れており、否が応でも彼らのパワーが聴き手に伝わりますね。
bounce (C)赤瀧洋二