Sonics In The Soul＜限定盤＞

After Lou Reed left the Velvet Underground in 1970, the band staggered on without him for a few years, with bassist Doug Yule taking over as their frontman. Someone once described 1973s Squeeze, a misbegotten Yule solo effort somehow issued under the name the Velvet Underground, as something like gin and tonic without the gin. The notion of a Buzzcocks album without Pete Shelley -- the lead singer, main songwriter, and rhythm guitarist who died in 2018 -- seems every bit as unlikely and ill-starred. However, Steve Diggle, who was the groups lead guitarist from 1976 onward, clearly isnt ready to give up on his lifes work. Four years after his musical partners passing, hes taken a stab at making a Buzzcocks album, with him in charge. 2022s Sonics in the Soul is billed as a Buzzcocks album, and along with Diggle, it features bassist Chris Remington and drummer Danny Farrant, both of whom had been playing with the group since 2014. Rather than find someone to stand in for the irreplaceable Shelley, Diggle handles vocals and writes the songs, and he did both memorably, if only occasionally, during the groups salad days. So Diggle has more than just arrogance going for him as he belatedly appoints himself the leader and frontman of the Buzzcocks. That doesnt change the fact that Sonics in the Soul doesnt really sound like a Buzzcocks LP, at least not as weve known them. The songs are short and hooky and played with strength and a certain degree of speed, which suits the groups pedigree, but without Shelleys very distinctive melodies and lyrics that split the difference between wit and anxiety, this sounds like a Steve Diggle album -- a guy who was a very good songwriter in a group that already had a great one. That said, if it seems like a Steve Diggle album rather than the Buzzcocks, its a very good Steve Diggle album. The songs are good, especially "Nothingless World," "Senses Out of Control," and "Just Gotta Let It Go," and Diggles vocals are in solid shape, especially for a guy whos 67 years old. Without Shelleys guitar, these performances lack a bit of the chugging intensity of the Buzzcocks salad days, but Diggle fills up the spaces quite well, and the solos show hes still got worthy tricks up his sleeve. Further, Remington and Farrant are a rock-solid rhythm section who drive the music forward with a minimum of fuss and without getting in the way. Sonics in the Soul is not the work of the Buzzcocks as weve known them; how could it be? But if you want a greater appreciation of how much Steve Diggle brought to this great band, Sonics in the Soul will tell you the full story, and it shows he more than deserves a belated place in the spotlight. ~ Mark Deming