Night Spirit Masters

ビル・ラズウェル・プロデュース!
マーレム・モハムード・ガニアとファラオ・サンダースの共演作など、現在の視点で聴くべきワールドミュージックの傑作をおくりだすドイツのレーベル ZEHRA の最新作は、世界中で注目を集めるグナワのトランシーな儀礼音楽グナワを世界に紹介した'90の大名盤を復刻。
マラケシュのメディナで録音された本作は当時まだ少なかったグナワを紹介する本格的なアルバムで、「アフリカ音楽と中東音楽の両方のファンにとって必聴」(Allmusic.com)、「10の重要なグナワアルバム」(Songlines)といった評価を確立。オリジナル・リリースから30年以上たち、リマスター/リイシューされる。

As Paul Bowles states in his liner notes, the music of the Gnawa (Malinese slaves brought to Morocco in the 16th century) is very different than most of what's heard in Morocco. Indeed, there's a healthy strain of the kind of vocal and percussion styles heard in the Gnawa's West African homeland on this fine collection. And even though the Middle Eastern darbouka drum is occasionally used and the language sung in is Arabic, the predominant sound comes from large, deep-toned drums called the tbola (akin to the talking drum of Ghana) and from the chorus of singers heard on half the cuts (the harmonies produced being similar to those in both traditional and popular West African song). Sounding like a cross between the oud (the Middle Eastern predecessor to the lute) and the West African kora, the upright string instrument the sentir musically fuses the two cultures. Musicology aside, this Bill Laswell-produced recording is a must for fans of both African and Middle Eastern music. Half the pieces feature lead and group singers in call and response mode buoyed by a full compliment of sentirs, drums, hand clapping, and qrakechs (finger cymbals made from sheet metal). The other portion includes both drum features and sentir and vocal pieces. A great collection. ~ Stephen Cook