Ultimate Spinach＜限定盤＞

ボストンのローカル・バンドだったUNDERGROUND CINEMAを母体に形成、伝説のプロデューサーALAN LORBERとMGM RECORDSによって形作られた魅惑のエセ・サイケ・シーン=ボスタウン・サウンドの代表格として売り出され、男女混声JAタイプのアシッド・サイケデリアで人気を博した「究極のほうれん草」ことULTIMATE SPINACH。

オルガン、ハープシコード、リコーダー、シタール、タブラ等を駆使、グレゴリア・ヴォーカルにバロック・インストルメントが重なりながらサイケ、ジャズ、ロックにルネサンスをブレンドし、結果として時代のサイケデリアから一歩ずれた独特の音世界を表出させた記念すべきデビュー作。BARBARA HUDSONのイーリーなヴォーカルとテルミン・ソロをフィーチャーした8分に及ぶクラシック"(BALLAD OF THE) HIP DEATH GODDESS"やフォーク・ブルージーな"EGO TRIP"をはじめ全曲が中心のIAN BRUCE-DOUGLASの手による完成度の高いものながらも、ポップ畑のALAN LORBERによるアシッド・サイケの解釈から出来上がったどこかチープでイミテート感のある音像が今こそグッとくる一枚です。

Upon its release in early 1968, Ultimate Spinach's self-titled debut was derided by some as second-rate psychedelia, selling reasonably well only by virtue of its hype as part of the "Bosstown Sound." So how does it sound decades later, removed from that hype and standing on the music alone? It still sounds like bush league, bandwagon-riding psychedelia. Ian Bruce-Douglas dominates the record as lead singer, composer of all the songs, and multi-instrumentalist, and while he espoused a darker vision than many psychedelic songsmiths, he wasn't in remotely the same league as Jim Morrison, Grace Slick, or Country Joe McDonald. Such comparisons are not idly chosen; echoes of the Doors, Jefferson Airplane, and Country Joe & the Fish cross over into derivation more than once, sounding like a recombination of 1967 West Coast psychedelic music that was garbled on its journey across the continent. All the same, the record is their best, for what that's worth. It is not without some attractive aspects, the best of which are Bruce-Douglas' skittering, piercing organ lines heard to superior effect on "Sacrifice of the Moon," especially as that is unencumbered by his awkward, over-serious lyrics ("collapsed laughter, running, falling, drifting across the minefield of your thoughts, dissolve, wondering, who am I, why should I be alone, alone?"). He likely played Country Joe & the Fish's first LP over and over, as "Sacrifice of the Moon" and "Baroque #1" attest to; "Baroque #1" goes as far as to plagiarize Country Joe's "Masked Marauder," right down to the harmonica and scat vocals. Similarly, "Your Head Is Reeling" has grungy, distorted Doors guitar lifted straight out of Robby Krieger's intro to "The End." As Bruce-Douglas' vocals are only adequate, it's unfortunate more was not heard from guitarist and occasional lead singer Barbara Hudson, who has the kind of ice-cool style trendy among the female psychedelic singers of the era. ~ Richie Unterberger