Reggae Film Star

ヴェテラン・シンガーソングライター、通算18枚目となるスタジオ・アルバムをリリース!!

SUB POPからSECRETLY CANADIANを渡り歩き、マイペースな活動を続けるシアトルのシンガーソングライターDAMIEN JURADOが、自身のレーベルMARAQOPA RECORDSから18枚目となるスタジオ・アルバムをリリース!

デビュー・アルバムから25年、これまで以上に多作で、意欲的、そして創造的な活動を続ける中、リリースされる新作は、カリフォルニア州アーバインのスタジオにて、マルチ・インストゥルメンタリストのJOSH GORDONとレコーディング・エンジニアのALEX BUSHのバックアップにより完成しました。重厚なストリングスと繊細で温かみのあるヴォーカルが胸を打ちます。

The intriguingly titled Reggae Film Star is Damien Jurados fifth in a run of self-produced albums that began with 2018s The Horizon Just Laughed. A more personal set than its predecessors for Jurado, that album dwelled in a 20th century childhood that remembered older relatives as well as public figures like Thomas Wolfe, Percy Faith, and actor Marvin Kaplan, the latter being one of multiple allusions to the sitcom Alice (Jurado was born in 1972). Reggae Film Star delves deeper into the imagined behind-the-camera realities of show business for a C-lister in an era populated by vinyl records, cigarettes, and celluloid. It finds him recording again with multi-instrumentalist Josh Gordon, his sole accompanist for the bulk of these releases, although here, hes also joined by a trio of string players, several backing vocalists, and a pianist for an album that is more cinematic than the intervening releases in more ways than one. On the first track, we meet the fictional "Roger," who is moved by hearing a song ("Heard you come through my radio/Sing my truth back to me") that includes the song-within-a-song lyrics "Theres no such thing as better days." The tracks rhythmic strumming, yearning strings, and quiet hand drums complement a tender vocal performance that allows for occasional voice cracks. The character re-emerges on "Rogers Audition" in a more irritated, defeatist mood reflected in a more rock-leaning arrangement of guitar, vintage organ, full rhythm section, and eventual warped effects. While some of the other songs carry titles like "Ready for My Close Up" and "Taped in Front of a Live Studio Audience," those that arent specific to acting remain soundstage-adjacent for their struggles with cynicism and destiny. "What Happened to the Class of 65?," for instance, opens with the lines "I was behind the camera/I was in the commercial," and "Location, Undisclosed (1980)" has Roger believing, "I could never live a life without you/I could never do another film." As the songs jump back and forth in time, through jobs and divorce and scripted dialogue as well as between acoustic folk and cantering rock, Jurado paints scenes with parking meters, pay phones, and cigarette machines and references to real-life actors in songs like "Meeting Eddie Smith" and catchy album highlight "Whatever Happened to Paul Sand?" ("I dont know who I am anymore"). The records widescreen qualities are further established by entries like the tempo- and style-shifting "The Pain of No Return," which ends in a TV-theme-like, fully harmonized, sustained sung chord. Reggae Film Star ends on the wistful "Gork Meets the Desert Monster," whose sophisticated chords, plaintive strings, and psychedelic break underscore such lines as "Is it me or just the part I play?," leaving listeners with the experience of an epic that goes by in a mere 35 minutes. ~ Marcy Donelson