Twelve Carat Toothache

Post Maloneの2年半ぶりとなる3枚目のアルバム。

The harsh hangover to Hollywoods Bleeding, Post Malones fourth full-length outing, Twelve Carat Toothache, is a brutally honest confessional that hammers the point home that fame isnt all its cracked up to be. Hes working through a lot -- lamenting bad decisions, relationship woes, and struggles with drinking -- but, as usual, he delivers this less-than-chipper material with deceptively catchy hooks and engrossing production. "Emo rap" is too reductive a tag for his melodic skill and ability to craft an earworm, but Toothache does lean hard into that moody, self-pitying, and dour territory, a tortured and vulnerable point of view that is put on full display in opener "Reputation." With his signature quavering trill, he cries, "Im the same damn fool.... I know I f*cked up and I cant make it right." No matter how many platinum plaques and chart-topping hits, Post is still human, flaws and all. That sentiment carries throughout the set to various extremes, but the variation comes mainly with his production choices, which shift from straight-ahead rap to mainstream pop and surprising guitar-backed dramatics. "Cooped Up" with Roddy Ricch and "I Cannot Be (A Sadder Song)" with Gunna will sate the old-school fans with thick, slapping beats and slick verses, while the haunted "Insane" is a hard-hitting burst of self-loathing and casual misogyny, with irresistibly hazy atmospherics reminiscent of Travis Scott. Meanwhile, "Euthanasia" rides a sparse heart-monitor blip-beat, building tension without ever providing a sweet release (a voice-memo demo of the track, "New Recording 12, Jan 3, 2020," closes the album). On the poppier, radio-friendly end of the spectrum, Post flexes his hitmaking muscles with the breezy, pop-punk-lite of "When Im Alone"; the neon funhouse duet with Doja Cat "I Like You (A Happier Song)"; the Kid LAROI-featuring "Wasting Angels"; and the "Circles"-redux hit-in-waiting "Wrapped Around Your Finger." Of course, "One Right Now" with the Weeknd -- already a Top Ten, platinum-certified hit at the time of the albums release -- is also included. Beyond the mainstream-ready highlights and mournful rap, Toothaches most interesting moments continue to tease Posts potential shift to more guitar-based alternative, as heard on the downcast "Lemon Tree," a pensive acoustic number that drops country twang amidst sour lines like "Life is pretty sweet Im told," and the standout track "Love/Hate Letter to Alcohol" featuring Robin Pecknold of Fleet Foxes. Through an eerie curtain of layered vocals and cinematic production, Post shares unflinching details of his inebriated setbacks and his complicated relationship with his vices. Teeth and booze on the floor, its an exciting hint at what could be if he committed to this style for a future album. While the rap-preferring fans will still gravitate to his first two efforts, listeners with an appreciative ear for his genre-sampling maturation into the mainstream will find Twelve Carat Toothache to be a fascinating emotional exploration of a conflicted artist who cant help but churn out star-making hits at the expense of his own happiness. ~ Neil Z. Yeung

全米1位を獲得して多数のヒット曲も生んだ前作から約3年、現行ポップ・シーンを代表するロックスターへと伸し上がったポスト・マローンの待たれていた4作目。その煌びやかな成功の反動ゆえか今作はよりパーソナルで内省的な面が強く出ており、フリート・フォクシーズを迎えてアルコールとの関係性を退廃的に綴った"Love/Hate Letter To Alcohol"など、主役の物悲しげな歌声も相まってダークなムードを要所で漂わせている。とはいえ先行カットされたウィークエンドとのコラボ曲"One Right Now"やロディ・リッチが参加した"Cooped Up"あたりは持ち味であるポップなセンスが前面に出た仕上がり。そうした側面はドージャ・キャットやキッド・ラロイとのキャッチーなコラボでも聴ける。
bounce (C)Masso 187um