Remedy＜数量限定盤/Gold Vinyl＞

歓喜のデビュー作は初登場のゴールド・ヴァイナル仕様!!

ダフト・パンク『Homework』に続いて、ダンス・ミュージック・シーンから世界のポップ・シーンを射抜いたベースメント・ジャックスの記念すべき歓喜のデビュー・アルバムが数量限定ゴールド・ヴァイナル仕様でリイシュー!!
トッド・テリーやマスターズ・アット・ワークスらNYハウス勢からの影響にラテンやサルサ、ディスコを注入しながら、テクノ・フリークも虜にしたボトムの太さとダンス門外漢も魅了する圧倒的なキャッチーさで一躍トップ・アーティストの仲間入りを果たした1999年作品。
「Rendez-Vu」、「Jump 'N Shout」、「Red Alert」、「Bingo Bango」といった今なお色褪せないフロア・アンセムを含む全15曲を収録。

The duo's long-awaited debut album is one of the most assured, propulsive full-lengths the dance world had seen since Daft Punk's Homework. A set of incredibly diverse tracks, Remedy is indebted to the raw American house of Todd Terry and Masters at Work, and even shares the NuYoricans' penchant for Latin vibes (especially on the horn-driven "Bingo Bango" and the opener, "Rendez-Vu," which trades a bit of salsa wiggle with infectious vocoderized disco). True, Ratcliffe and Buxton do sound more like an American production team than a pair of Brixton boys would -- they get props (and vocal appearances) from several of the best American house producers out there including DJ Sneak, Erick Morillo, and Benji Candelario. And "U Can't Stop Me" is an R&B production that could probably have gotten airplay in major rap markets across the U.S. Elsewhere, Buxton and Ratcliffe chew up and spit out mutated versions of hip-hop, ragga, Latin, R&B, soul, and garage -- the varied sound that defined the worldwide house scene of the late '90s. ~ John Bush