Blue Water Road

Recording tracks for a prospective deluxe edition of 2020s It Was Good Until It Wasnt, Kehlani determined that the material had the makings of a separate release, scrapped the original plan, and kept rolling until they had an all-new album. The resulting Blue Water Road is undeniably lighter and less fraught than the singers previous LP -- and not without grief and tension -- and also has a continuity justifying the decision to stay on a forward course. "Altar," the bittersweet lead single, is addressed to a deceased loved one, but its wholly affectionate, a daydream filled with reminiscence, gratitude, celebration, and clever if natural references to all five senses. The altars purpose is flipped at the top of the album in the enchanted "Little Story," where Kehlani uses the object to signify their romantic intent before revealing theyre "Workin on bein softer." Going by much of what follows, theres little struggle in Kehlanis effort to write unguardedly. Their vocals and productions have a gentler quality to match. In the rippling ballad "Melt," Kehlani cant bear any physical distance between them and their lover, their voice floating over a flickering acoustic guitar and curlicue strings. "Everything" is a master class in the creation and release of tension, cresting when Kehlani dives into commitment with "Now you can be wild with me/Run that mile with me." The songs with swagger are no less effective. Kehlanis at their strutting best on the chiming/booming "Any Given Sunday," setting the scene with "The baddest bitch in the mirror wants to love somebodys daughter tonight." While Blxsts verse on that track is superfluous, the albums other additional voices are more suited to the songs. Kehlani and Syd, reuniting for the stimulating trap-soul duet "Get Me Started," are unable to resist each other despite breakup talk. Just ahead of that is "Up at Night," one of the few uptempo cuts, another unresolved duet, this one with Justin Bieber dropping in with one of his most harmonious featured appearances. Blue Water Road was executive produced by longtime Kehlani collaborator Pop Wansel, who also co-produced every track, joined most frequently by either Happy Perez or Roget Chahayed. Wansels sensitive, nostalgic touch is in effect, neatly incorporating hip-hop and R&B classics from the late 80s and 90s without overdoing it. ~ Andy Kellman

現代R&Bの先頭を走ってきたケラーニ。2年ぶりとなる3作目のフル・アルバムは、センシュアルかつ神秘的なムードに包まれ、優しさや思慮深さも感じさせる。シドやブラスト、ジェシー・レイエズといったゲストとのコラボ以外はトラップ系が影を潜め、ストリングスを交えたオーガニック寄りの曲を甘くクールに歌っていく。メインの制作は常連のポップ・ワンゼルで、ラリー・ゴールドの弦が美しい"Everything"などハッピー・ペレズが関与したバラードも上々。スリック・リック古典の引用曲や、ソウルIIソウル曲を使ったジャスティン・ビーバーとの"Up At Night"では90年前後のクラブ感覚で郷愁も誘う。アンブレイとサンダーキャットが声を添えたラストまで、心地良いムードと共に進化を見せる快作だ。
bounce (C)林 剛