音楽、自然、サーフィンを自らのカルチャーとして育み、自然との共存を訴え続けてきたアーティスト、ジャック・ジョンソンが約5年ぶり、通算8作目となるオリジナル・アルバムをリリース!これまでにアラバマ・シェイクス、パフューム・ジーニアス等を手掛けてきたブレイク・ミルズをプロデューサーに迎え、ロサンゼルスとハワイにてジャックとブレイクの一対一のコラボレーションによって制作された。
通常ブラック・ヴァイナル
※環境に配慮した再生紙を使用

発売・販売元 提供資料 （2022/05/09）

Jack Johnson doesnt do anything forcefully. Gentle, mellow vibes have been his stock in trade since his 2011 debut, Brushfire Fairytales, and that doesnt change on Meet the Moonlight, his eighth studio album, delivered some 21 years after his first. Thats a long stretch of time to mine the same vein, but the relaxed vibes of Meet the Moonlight are somewhat deceptive; underneath the placid surface, Johnson is taking a few risks. Much of the shift can be attributed to his collaboration with Blake Mills, a guitarist who usually works with such indie rock and Americana acts as Fiona Apple and Alabama Shakes. Mills doesnt bring the noise or explicitly arty attacks to the laid-back environs of Jack Johnson. Rather, Mills coaxes out the atmosphere, allowing "One Step Ahead" to pulsate to a vibrant, colorful, and relaxed beat, and letting "Costume Party" unfurl with an appealingly languid gait. Other parts of Meet the Moonlight also have readily apparent textures -- "3AM Radio" gurgles softly, "Dont Look Now" almost has an urgency to its chorus -- but the Mills approach lets such spare numbers as the closing "Any Wonder" feel full and realized, and not like sketches. These subtle shifts and shadings help make Meet the Moonlight a quietly adventurous album as well as one of Jack Johnsons best. ~ Stephen Thomas Erlewine

Rovi