初代TRON公開40周年記念!オリジナルは2011年4月にリリースされたDaft PunkによるサウンドトラックをAvicii、Paul Oakenfold、Mobyらダンスミュージック/エリクトロシーンで活躍するアーティストが再構築したリミックス・アルバムの2枚組ブラック・ヴァイナル。
発売・販売元 提供資料(2022/04/08)
While Daft Punk’s moody, electro-symphonic score to Tron: Legacy captured its ambition perfectly -- and, arguably, may have been the best thing about the movie -- it didn’t quite satisfy fans looking for dancefloor movers. Tron: Legacy Reconfigured rectifies that by letting the French duo’s peers loose on the film’s music. With a varied group of artists ranging from established names (Moby, the Crystal Method, Paul Oakenfold) to up-and-comers (Com Truise, Pretty Lights), the collection offers eclectic tangents on the retro-futuristic musical world Daft Punk created. While the acts involved don’t offer many surprises, they do what they do well, with the Teddybears giving “Adagio for Tron” a playful pulse and the Crystal Method injecting “The Grid” with adrenalized beats. Oakenfold’s reworking of “C.L.U.” is just as easily identifiable as his work as it is Daft Punk's in its massive atmospheres and rhythms; likewise, Boys Noize and Photek turn in versions of “End of Line” that are distinctive and cohesive at the same time. Even though the energy in remixes like Japanese Popstars' percussive take on “Arena” and AVICII's fizzy remix of “Derezzed” is welcome, some of Tron: Legacy Reconfigured's best moments aren’t danceable. Moby brings a patient grace to “The Son of Flynn,” and M83 and Big Black Delta's collaboration on “Fall” uncovers the track’s dreamy romance. Reconfigured may not be as striking as the original Tron: Legacy score, but it is an enjoyable, more accessible extension of it. ~ Heather Phares
Rovi
映画本編のイメージとは相容れない部分もありますが、モービーやボーイズノイズ、フォーテックらが各自の解釈によるエレクトロ観に基づき、ダフト・パンク製のサントラを料理したやたら豪華なリミックス盤の登場。M83のキラキラなサイケ・ポップやカスケイドによる大箱向けのズンドコ仕様、エレクトロ・ハウス界の新鋭アヴィチーによるトランシーな意匠などには、原曲を壊す威勢の良さがあって、痛快なことこのうえなし!
bounce (C)青木正之
タワーレコード(vol.332(2011年5月25日発行号)掲載)