カントリーミュージック界を代表する実力派シンガー=ミランダ・ランバートの8thアルバム『Palomino』

USのカントリーミュージック界を代表するアーティスト=ミランダ・ランバートの8枚目のニュー・アルバム『Palomino』。2021年のグラミー賞でベスト・カントリー・アルバムを受賞した前作『Wildcard』以来、約2年半ぶりのリリースとなる。
今作には、アルバムからの先行シングル"Strange" "If I Was a Cowboy"を始め、ゲストにB-52'sを迎えた"Music City Queen"、ミック・ジャガーの1993年のソロ・アルバムのタイトルトラック曲 "Wandering Spirit"のカバー等、バラエティーに富んだ全15曲を収録。

発売・販売元 提供資料 （2022/03/25）

Miranda Lambert sings that she wants to see the desert from a painted palomino on "Actin Up," the opening cut on her ninth album, fittingly titled Palomino. That sense of wanderlust permeates the record, driving its stories of misfits, tourists, and wandering spirits, the kinds of souls who just cant stay at home due to heartbreak, discontent, or simple restlessness. Lambert lingers over the details in her stories and sketches, characters, and scenarios she accumulates as she roams the country as a tourist who harbors dreams of being a cowboy. This sense of forward motion is emphasized by how Lambert expands her musical palette on Palomino. Working with Jon Randall and Luke Dick as co-producers, she discovers a fertile middle ground between earthy country and playful pop, peppering the album with picturesque production flair while maintaining a sleek, cinematic vibe. Palomino is a far cry from the dusty The Marfa Tapes, the 2021 album Lambert released with Randall and Jack Ingram, a distance thats put into sharp relief by the polished revisions of three of that records songs. The thing is, Lambert is the rare artist who benefits from a full-blooded, expansive production, as the different shades and textures highlight the empathy and wit in her work. Here, "In His Arms" reveals its tender heart, "Waxahachie" has a quietly urgent momentum, and the put-downs in "Geraldine" are delivered with a sneer. Lambert surrounds these three songs with 11 dynamite originals, plus a breakneck cover of Mick Jaggers "Wandering Spirit" that lends the album its spirit if not sound. Most of Palomino proceeds at a gentler pace than this unexpected Jagger cover, but it hardly sounds monotonous. Lambert sounds sultry and dangerous on "Actin Up," sneers through "Country Money," and tears it up with the B-52s on "Music City Queen," an ode to the denizens of a tacky riverboat. The different sounds and scenes add up to a rich, complex album, one where Lambert finds the perfect blend of the writerly The Weight of These Wings and the breeziness of Wildcard. ~ Stephen Thomas Erlewine

Rovi