Lavender Days

オハイオ産インディーフォーク・バンド、CAAMPの新作!!

EVAN WESTFALLとTAYLOR MEIERUSによって始動したオハイオのインディーフォーク・バンド、CAAMPがMOM+POPよりニューアルバムをリリース! 音楽への愛と故郷への愛、特に彼らが育った中西部の生活から得たインスピレーション得たルーツ感溢れる温かみのあるバンド・サウンドが瞬く間に熱狂的なファンを獲得。本作は、バンドとBEATRIZ ARTOLA(FLEET FOXES, ADELE, SHARON VAN ETTEN)、BRAD COOK(SNAIL MAIL, WAXAHATCHEE, INDIGO DE SOUZA)によるプロデュースとなっています。

2019s By & By saw Columbus, Ohios Caamp deliver an agreeable and often affecting set of neighborly indie folk ditties that bounded weightlessly across multiple branches of American roots music. Very little has changed, at least stylistically, in the Caamp camp with album number three. Like a slice of warm apple pie, Lavender Days provides copious amounts of affirmation and comfort, even at its most wistful. The opener/intro "Come with Me Now" sticks with a simple two-chord melody that builds to a soft crescendo that showcases the groups impeccable harmonies, which are bolstered throughout the LP by special guests Nathaniel Rateliff and Waxahatchees Katie Crutchfield. Its a blueprint that Caamp adhere to dogmatically throughout Lavender Days 12 often indistinct pieces. Mellower and more sonically streamlined than its predecessor, the album leans hard into the groups breezy West Coast folk-pop predilections, with each track unfolding with ease and gentle care -- even Taylor Meiers gruff cadence feels softened. Still, Evan Westfalls tasteful banjo playing allows the band to keep one foot in the Ohio River Valley, and songs like the bustling, Black Crowes-inflected "Believe" and the bubbling country-folk confections "Appletree Blues" and "The Otter" come off as likeably formulaic rather than perfunctory. Songs of love, hope, loss, and heartache are ubiquitous for a reason, and Meier and Westfall are, without a doubt, adept interpreters of the familiar. ~ James Christopher Monger