Last Young Renegade

Two years after the business-as-usual Future Hearts, hitherto pop-punk quartet All Time Low make a surprising shift on their seventh set, Last Young Renegade. Much like similar moves by contemporaries Fall Out Boy and Paramore, it's a late-era switch that finds the band expanding its sound into pop-oriented territory where synths and dance beats roam. Influenced by David Bowie, Prince, and the sounds of the '80s, Renegade is All Time Low's attempt at sonic maturation, which pays off with much satisfaction. This is a focused collection of intense emotional energy, but vocal effects, programmed beats, and atmospheric production take center stage instead of raucous riffs and pounding drums. Fans of their classic sound may be left wanting, but enough of that punk attitude remains, preventing this album from being a total curve ball. "Last Young Renegade" and "Dark Side of Your Room" combine Fall Out Boy with the stylings of indie bands like Walk the Moon or Atlas Genius, while "Good Times" recalls the peppiest output from the All-American Rejects and Plain White T's. Venturing even further into the mainstream, "Life of the Party," "Afterglow," and "Ground Control" tackle the arena-sized pop/rock of OneRepublic and the 1975. The latter cut is one of the many highlights, recruiting Tegan and Sara for a touching and shimmering collaboration. While the majority of Renegade is cut from the same pop cloth, "Nice2KnoU" is a knowing gift to the faithful -- the album's lone punk blast -- an old-school, pogoing floor-shaker sure to please diehards. As the track chugs along, frontman Alex Gaskarth sings "We can't go back to yesterday...One last time for old time's sake." It's a clear declaration from a group with a mission. While they acknowledge their roots, All Time Low have their sights set on the road ahead. Last Young Renegade is that first brave step on a journey where studio sheen and cross-genre influences embellish their ever youthful spirit. ~ Neil Z. Yeung

フェルド・バイ・ラーメンへの移籍作となるこのニュー・アルバムでも、ATLの持ち味は変わらない。メインストリームのポップ・サウンドを採り入れながら、アンセミックなパンクを展開。今様のR&Bっぽいアンビエントなフワフワしたアレンジもモノにし、ブチ上げパーティー仕様だけに終始しない点が流石だ。メイン・プロデューサーはパパ・ローチやONE OK ROCK作品で注目度を上げているコリン・ブリテイン。
bounce (C)山口智男