For the first time＜Green Vinyl/限定盤＞

Black Country, New Road formed in 2018 and quickly earned a reputation as a ferocious live act due to their startlingly unique combination of post-punk, free jazz, klezmer, and math rock, with frontman Isaac Woods volatile rants immediately grabbing the audiences attention. Following numerous sold-out concerts, including collaborations with close friends and kindred spirits black midi, as well as two heavily hyped 7 singles that sold out instantaneously, the London-based septet signed with Ninja Tune and released their debut full-length in early 2021. While documenting the energy of the groups performances during the earliest years of their existence, the album displays a marked evolution from their beginning. Both of the bands initial singles have been reworked, and sound significantly less unhinged and sexually frustrated. Athens, France is reminiscent of Spiderland-esque post-hardcore, but with ethereal saxophone and glistening keyboards elevating the songs mood during its more reflective moments. The post-rock/prog epic Sunglasses stretches out to nearly ten minutes, slowly unfolding until a rush of words spill out, culminating with the phrase the absolute pinnacle of British engineering. After a woozy, horn-smeared breakdown, the band shifts to a more insistent post-punk rhythm, as Wood nervously affirms his invincibility, dropping several names (Richard Hell, Scott Walker, Kanye) along the way. The more atmospheric Track X shows a more vulnerable and romantic side of the group, as Wood confesses I got down on my knees, I told you I loved you in front of black midi over a lovely post-minimalist arrangement for guitar, violin, and saxophone. The album has moments of sheer joy, too, particularly the festive, celebratory klezmer of opening tune Instrumental and the rousing peaks of the emotional rollercoaster Opus. Occasionally the vocals (and the constant name-dropping) become overbearing, but the musicianship is strong and adventurous, taking familiar instrumentation in unexpected directions, and Black Country, New Road are undeniably original. ~ Paul Simpson

前身バンドの不幸な解散後に集まった面々――アンダーワールドの近作でも演奏したカール・ハイドの愛娘タイラーや、ジョックストラップのジョージア・エラリー、グッド・ウィズ・ペアレンツのルイス・エヴァンスも含むロンドンの男女7人組がニンジャ・チューンから満を持してアルバム・デビューだ。マイブラやソーリーらを手掛けたエンジニアのアンディ・サヴァースを迎えて全編をライヴ録音し、シングルではダン・キャリー制作だった"Athens, France"もアルバムの一部として再構築。サックスの痙攣や鋭角的なヴァイオリンを伴ってフリーキーな反復の美学を突き付ける"Science Fair"や"Sunglasses"など、自由に始まって無造作に終わる衝動的な長尺の音塊がポスト・パンクの伝統性を新鮮に伝える快作!
bounce (C)香椎恵