USインディアナ州を拠点とするフットワーク~ビート・ミュージック・プロデューサー JLINが、本拠地〈PLANET MU〉より新作EPをリリース!
JLINならではの複雑なリズム、今ここで生まれ変わるように変換される鮮烈なグリッチ。クラシックな MODEL 500の響きをかすかに残し、90年代のデトロイト・テクノやUKのIDMのフューチャリズムを彷彿とさせる大胆で激しいサウンドパレットを特徴としながら、自動運転車、ロボット警官のいる交差点、空中に浮かぶバーチャルなフリーウェイのための、「The 5th Wave」的SF要素を多分に含んだ傑出のポスト・ダンスミュージック! JLIN自身のマルチプラットフォームでの芸術的成長における重要作!
発売・販売元 提供資料(2023/01/05)
Jlins first release in three years is centered around a piece written for contemporary ensemble Third Coast Percussion. Like the majority of her work, the track consists of aggressive, interlocked rhythms, though this one seems to have an extra bounce to it, as it switches between parts that bring to mind trap and acid techno, and theres a greater dose of distortion than usual. Its mean and deadly, but at the same time, its also immensely fun. "Auto Pilot" and "Connect the Dots" have longer stretches of speedy 4/4 kick drums than any previous Jlin track, resembling Detroit techno set to hyperspeed, but the rhythms constantly break down and re-form. "Rabbit Hole" is a bit lighter and seems to leave more space, with a rubbery synth line and robotic bleeps filling in some color. All four tracks are brief and concise, and as its title indicates, Embryo marks the start of something new. ~ Paul Simpson
Rovi