Rock/Pop
LPレコード

Live At Rockpalast: Loreley Open Air August 20th 1983 & Satory-Sale Cologne July 16th 1981<限定盤>

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フォーマット LPレコード
発売日 2020年01月01日
国内/輸入 輸入
レーベルMusic On Vinyl
構成数 3
パッケージ仕様 -
規格品番 MOVLP2623C
SKU 8719262013155

※オンラインでは発売日当日の13:00以降より販売開始となります。


構成数 : 3枚

[SIDE A]
LORELEY OPEN AIR, AUGUST 20TH 1983
1. BABY BLUE EYES
2. DOUBLE TALKIN' BABY
3. RUMBLE IN BRIGHTON
4. DRINK THAT BOTTLE DOWN
5. SOMETHING IS WRONG WITH MY RADIO
6. BUILT FOR SPEED
[SIDE B]
LORELEY OPEN AIR, AUGUST 20TH 1983
1. LOOK AT THAT CADILLAC
2. RUNAWAY BOYS
3. LONELY SUMMER NIGHTS
4. TOO HIP, GOTTA GO
5. STRAY CAT STRUT
[SIDE C]
LORELEY OPEN AIR, AUGUST 20TH 1983
1. SHE'S SEXY AND 17
2. BANJO TIME (FOGGY MOUNTAIN BREAKDOWN)
3. THE RACE IS ON
4. TEAR IT UP
5. OH BOY
6. ROCK THIS TOWN
[SIDE D]
SATORY-SALE COLOGNE, JULY 16TH 1981
1. SWEET LOVE ON MY MIND
2. DOUBLE TALKIN' BABY
3. RUMBLE IN BRIGHTON
4. MY ONE DESIRE
5. UBANGI STOMP
[SIDE E]
SATORY-SALE COLOGNE, JULY 16TH 1981
1. DRINK THAT BOTTLE DOWN
2. STORM THE EMBASSY
3. STRAY CAT STRUT
4. FISHNET STOCKINGS
5. IMPORTANT WORDS
[SIDE F]
SATORY-SALE COLOGNE, JULY 16TH 1981
1. ROCK THIS TOWN
2. RUNAWAY BOYS
3. SOMETHIN' ELSE
4. GONNA BALL

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作品の情報

メイン
アーティスト: Stray Cats

商品の紹介

This set presents two Stray Cats shows, recorded in Germany at the height of their powers. The first set is actually the latter of the two (1983), recorded just before the release of their third album. They're playing a big outdoor festival and have clearly arrived as stars. Although the artwork makes it appear that Mel Collins (!) plays sax with them throughout, he's actually only on two cuts. Oddly enough, that's the same number of tracks a completely uncredited Dave Edmunds also plays on!! It's a solid set of Stray Cats tunes, but the version of George Jones' "The Race Is On" with Edmunds is a definite set highlight. The other set is from 1981, and their second album (Gonna Ball) wasn't even out yet and they were almost completely unknown back in the States. The Stray Cats were a hungry young band and they tear into their set with a punk ferocity that's missing in the 1983 show. Setzer's intentional use of feedback at several points is a bit of a surprise, as he basically stopped doing that once the band made it big. Sets like this one helped establish the Stray Cats' reputation as a great live band. Both sets were captured with high-quality audio and a multi-camera shoot. This is a great look at early Stray Cats. ~ Sean Westergaard
Rovi

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