Refuge

Longtime friends and collaborators Devendra Banhart and Noah Georgeson bonded early on over similar experiences in early childhood with parents who dabbled with new age subcultures. This meant early exposure to concepts like health food and alternative spirituality, but also to the meditative sounds of 80s new age artists. The two musicians had long discussed their shared love of this particular sect of ambient music, and toyed with the idea of making an album that would sound at home on Windham Hills mid-80s roster. When the COVID-19 pandemic took hold in March of 2020, Banhart and Georgeson used their time in quarantine to finally realize this dream, collaborating remotely on the sounds that became Refuge. The 12 pieces that make up the album are almost entirely instrumental, and for the most part follow the design of the 80s new age material that inspired the project. Book of Bringhi and Rise from Your Wave are built around slow-moving piano melodies and free-floating, reverb-bathed synthesizer pads. At times special guests contribute additional textures and timbres to the mix. The patient In a Cistern begins with a progression of plucked harp notes from Mary Lattimore (an excellent ambient composer in her own right), and soon Nicole Lawrences twangy pedal steel joins in. Into Clouds is heavier and more synthetic, with an understated digital kick drum guiding layers of chiming synths and moody guitar leads. For Em begins again with minimal piano, but grows to include moving string and woodwind arrangements. Gorgeous album closer Aran in Repose also features a complex orchestral arrangement, evoking the same naive beauty of early Disney soundtracks. Theres even a chanted mantra and field recordings of Buddhist ceremonies woven into the end of the stormy Asura Cave, amplifying Refuges spiritual undertones. Though meditative ambient sounds are outside of both Banharts and Georgesons usual wheelhouses, they bring something special to this instrumental conversation that goes above and beyond the average record of droning soundscapes. Refuge sounds composed, thoughtful, and intimate, with reflections on pain, grief, acceptance, and relief coming through in the character of the albums varied atmospheres. ~ Fred Thomas

デヴェンドラ・バンハートと長年の盟友であり、ストロークスを手掛けたことでも有名なプロデューサーのノア・ジョージソンによるアンビエント作。二人が共通して好みだという東洋音楽、バガヴァッド・ギーターらの影響が色濃く出つつ、ベースには西洋の現代音楽が感じ取れ、それらを折衷した世界観がいかにもこのコンビらしくて興味深い。彼らが住むカリフォルニアの浜辺で聴きたい……そんな瞑想音楽だ。
bounce (C)赤瀧洋二