Jazz
LPレコード

Frank Sinatra & Count Basie<Red Vinyl/限定盤>

0.0

販売価格

¥
3,490
税込
還元ポイント

在庫状況 について

フォーマット LPレコード
発売日 2021年08月05日
国内/輸入 輸入
レーベルMasterworks Colored
構成数 1
パッケージ仕様 -
規格品番 MWC350230
SKU 8436563183508

構成数 : 1枚

  1. 1.[LPレコード]

    【A面】

    1. 1.
      Pennies From Heaven
    2. 2.
      Please Be Kind
    3. 3.
      (Love Is) The Tender Trap
    4. 4.
      Looking At The World Thru Rose Colored Glasses
    5. 5.
      My Kind Of Girl
    6. 6.
      Pennies From Heaven [1956 Version](ボーナストラック)
  2. 1.[LPレコード]

    【B面】

    1. 1.
      I Only Have Eyes For You
    2. 2.
      Nice Work If You Can Get It
    3. 3.
      Learnin' The Blues
    4. 4.
      I'm Gonna Sit Right Down And Write Myself A Letter
    5. 5.
      I Won't Dance
    6. 6.
      Nice Work If You Can Get It [1956 Version](ボーナストラック)

作品の情報

メイン
アーティスト: Frank SinatraCount Basie

商品の紹介

1962年シナトラがカウント・ベイシー・オーケストラと初めて共演した共演作!

新シリーズ!20世紀の名盤がカラーレコード&180g 重量盤で登場。

オリジナルは1962年にリプリーズレーベルから発売された「Sinatra-Basie - An Historic Musical First (Reprise R9-1008).」より。ボーナストラック2曲はネルソン・リドル・オーケストラとの共演。盤面カラーは「レッド」。
発売・販売元 提供資料(2021/07/02)

The long-awaited first collaboration between two icons, Count Basie and Frank Sinatra, did something unique for the reputations of both. For Basie, the Sinatra connection inaugurated a period in the '60s where his band was more popular and better-known than it ever was, even in the big-band era. For Sinatra, Basie meant liberation, producing perhaps the loosest, rhythmically free singing of his career. Propelled by the irresistible drums of Sonny Payne, Sinatra careens up to and around the tunes, reacting jauntily to the beat and encouraging Payne to swing even harder, which was exactly the way to interact with the Basie rhythm machine -- using his exquisite timing flawlessly. Also the members of the Basie band play a more prominent role than usual on a Sinatra record, with soloists like Frank Wess -- in some of the finest flute work of his life -- and tenors Frank Foster and Eric Dixon getting prominent solo opportunities on several of the tracks. The record was criticized by some as a letdown when it came out, probably because Neal Hefti's charts rarely permit the band to roar, concentrating on use of subtlety and space. Yet the record's restraint has worn very well over the long haul -- it doesn't beat you into submission -- and it concludes with its best shot, a wonderfully playful treatment of "I Won't Dance." ~ Richard S. Ginell
Rovi

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