Solo Piano

1974年録音、"名盤請負人"のトミー・フラナガンの貴重なピアノ・ソロ作品!

"名盤請負人"のトミー・フラナガンがエラ・フィッツジェラルドの歌伴であった1974年にスイスのチューリッヒで録音されたピアノソロアルバム。これまでは1975年録音のパブロレーベルから発売された「Comeback」、1977年にデノンから発売された「Alone Too Long」が彼の最初のソロ作品と言われていたが、この作品はさらにその前の録音になります。

2005年に「Storyville」から発売になっていたが、音源に別なピアニストが収録されており長期にわたり廃盤になっていた曰くつきのアルバム。有名スタンダードばかり収録、随所でフラナガン節が楽しめる最高のソロアルバムです。

Tommy Flanagan spent a good part of his career accompanying Ella Fitzgerald between 1965 and 1978, so few jazz fans had an idea how capable a pianist he was until he went out on his own in 1978. These previously unissued solo performances (recorded in Zurich in 1974) are a welcome addition to his discovery, mixing bop favorites with a few standards. The bop material includes a pair each of compositions by Bud Powell and Thelonious Monk, along with an elegant treatment of Dizzy Gillespie's "Con Alma." But a problem came up in the assembly of this CD. Evidently another pianist's work, who has a definite Art Tatum influence, is heard on the last ten tracks, especially in "Caravan" (borrowing Tatum's heavy chords and striding left hand), "Just One of Those Things," and the playful "Willow Weep for Me." The spirited stride piano rendition of Earl Hines' "Rosetta," complete with chime-like chords, would have made both Tatum and Hines smile in approval, though this hardly sounds like Flanagan. The rollicking "St. Louis Blues," obviously inspired by Hines' famous "Boogie Woogie on the St. Louis Blues," is yet another twist. Storyville quietly removed Solo Piano from their catalog when the error was discovered, but the mystery of the second pianist's identity (possibly Adam Makowicz?) remains. ~ Ken Dryden