Rock/Pop
LPレコード

Eulogy For The Damned

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フォーマット LPレコード
発売日 2021年06月12日
国内/輸入 輸入
レーベルSpinefarm Records
構成数 1
パッケージ仕様 -
規格品番 354482
SKU 602435404820

※発売日当日の13:00よりオンラインストアにてWEB販売が解禁となります。(当日13時定刻より遅れての販売となる可能性がございます。ご了承ください。)


構成数 : 1枚

  1. 1.[LPレコード]

    【A面】

    1. 1.
      Red Tide Rising
    2. 2.
      Stand For Something
    3. 3.
      Acid Trial
    4. 4.
      The Filthy & The Few
    5. 5.
      Save Me From Myself
  2. 1.[LPレコード]

    【B面】

    1. 1.
      The Fog
    2. 2.
      Return To Mars
    3. 3.
      Death Of Aquarius
    4. 4.
      The Bishops Wolf
    5. 5.
      A Eulogy For The Damned

作品の情報

メイン
アーティスト: Orange Goblin

商品の紹介

UK出身の5人組ストーナー・メタルバンドによる7枚目のオリジナル・アルバム
発売・販売元 提供資料(2021/05/19)

For a while there, things looked pretty grim for lovable stoner metal stalwarts Orange Goblin...their sixth studio album, and third since branching out beyond their stoner/space rock foundations, 2007's Healing Through Fire, met with a rather lukewarm reception from both fans and critics (to put it kindly), and despite securing a new deal with Candlelight Records shortly after coming off the road, the band's recording of seventh LP A Eulogy for the Damned took place in fits and starts over the ensuing four years. To make a long story short, it appears that life (i.e., day jobs, parenthood, and other real-world responsibilities) essentially intruded upon Orange Goblin's personal rock & roll fantasy, and though this intrusion reportedly almost led to their demise at one particular low point, it seems the lengthy hiatus also gave the band more time to refine the songs contained herein. Mind you, there's nothing altogether unusual about opening heavy metal powerhouse "Red Tide Rising," the Fu Manchu-inspired big chorus of "The Filthy and the Few," or the malicious staccato apocalypse of "Death of Aquarius" -- except for an embarrassment of top-notch, bad-ass riffs that were clearly stockpiled during the protracted creative process. The memorable "Stand for Something" almost sounds like Motorhead at half speed (in a good way), and the band also shows a greater willingness to stretch, whether that means revisiting some of those early career doom and stoner vibes on "The Fog," or adopting a bluesy Southern rock approach for "Save Me from Myself," which is literally half ZZ Top, half Lynyrd Skynyrd (note the organ humming in the background). If these descriptions haven't made it obvious already, A Eulogy for the Damned is a pretty diverse set -- maybe the most diverse of Orange Goblin's oeuvre -- and while that hardly means they've turned into Faith No More, it does explain why lucky LP number seven arguably betters everything released by the group over the previous decade. Talk about snatching victory from the jaws of defeat! ~ Eduardo Rivadavia
Rovi

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