ロニーレーンの1974年のクラシックアルバム「AnymoreFor Anymore」が、30年以上ぶりにアナログ再発!!

アビーロードスタジオでリマスターされた今回の「AnymoreFor Anymore」は、180gヘヴィ―・ヴァイナル仕様。
オリジナル・アートワークを再現したスリーブに収納されています。
また新しいインナースリーブには、珍しい写真とロニーのオリジナル曲の歌詞がフィーチャーされています。商品にはオリジナルアルバムのプロモーションポスターの複製が付属しています。

1974年7月に最初にリリースされた「AnymoreForAnymore」は、The Facesを離れた後のロニーのデビュー・ソロ・アルバム。UKアルバムチャートで48位に達し、シングル「The Poacher」は、36位でピークに達しました。
カメラマンの組合のストライキで予定されていたトップ・オブ・ザ・ポップスの出演がキャンセルされなければ、シングルはもっとヒットしたことでしょう。控えめなチャートポジションからのスタートにもかかわらず、アルバムはリリース以来、その地位を高めて名盤の誉れ高き今に至ります。

発売・販売元 提供資料 （2021/04/20）

Ronnie Lane certainly chose an apt name for his post-Faces combo, Slim Chance. He only enjoyed one solo hit -- the rootsy yet boisterous "How Come," which made the U.K. Top Ten in 1974. "The Poacher" looked to become his second, if the BBC cameramen's union hadn't gone on strike when Lane and company had been booked to appear on Top of the Pops. Lane's brand of "hobobilly" reflected his life with an equal dash of hard luck and humor. He could pursue a folksier direction than he'd had room to explore in the Faces, and that side certainly shines on "Don't You Cry for Me" -- bolstered by a strong Jimmy Jewell sax hook -- as well as "The Poacher"'s rejection of personal power for its own sake. Lane didn't draw only on his rock & roll roots, however; "Amelia Earhardt" affectionately salutes the doomed '30s aviatrix with a musical nod to that period. He also showed a fascination for British music hall rooty-toot-toot ("Bird in a Gilded Cage"), gospel ("Bye & Bye [Gonna See the King]"), and simple folk (the Dillards' "Roll on Babe"). Of course, Lane's good-natured rowdiness meant that he couldn't resist a good knee-slapper when the temptation arose; "Chicken Wired" fits the bill aptly, with an infectious "chick-chick-chicken" chorus that'll stick to its listeners like the proverbial fly paper. (Lane evidently thought so, too; it appeared again on the Mahoney's Last Stand soundtrack.) Anyone who only casts him as a tragic figure needs to hear that song. New Millennium's reissue appends seven bonus tracks, such as acoustic takes of "How Come" and "The Poacher" and alternate tries of key tracks like "Amelia Earhardt." They're not especially revelatory, but do provide an interesting context for collectors. Ronnie Lane may not have meant much at the Top 40 box office, but his influence remains as broad as ever, and this album's a must-own blueprint. ~ Ralph Heibutzki

Rovi