(Ch-Vox) Redux

Mark Clifford and his mates have moved through labels like Astralwerks and Warp before landing at the front door of the Richard James label Rephlex, and along the way they have scattered some wonderful pearls. For (Ch-Vox), its an especially lush match of aesthetics -- sort of a condensed version of the Aphex Twin landmark record, Selected Ambient Works II. Picking up at the tail end of Seefeels last album, Succour, we once again hear Utreat, a dark meditation of phrases that makes Darren Seymours bass sound like an electric piano, or is it Cliffords electric piano that sounds like a bass? Sarah Peacocks dreamy vocals hover almost out of earshot, and possibly her guitar is plugged in somewhere, too. Its difficult to say with many of their songs what instrument were hearing, since treatments and effects play such a major role in production. The song E-HIX2 breathes like a cluster of bleak skyscrapers with an extremely ambient take on feedback, and the title cut, CH-VOX, is stark, patient, and ominous -- an abandoned submarine frozen in ice. Hive (with wonderful vocal loop effects) has Clifford revisiting his somewhat limited palette of percussion -- a piece that teeters between beauty and agitation, and an unfortunate weak spot for the album. The album closes with Net, which is nothing short of masterpiece -- a journey, a drive through wet streets at midnight, and a finale so captivating youll want to hear it twice -- somewhat postponing the disappointment that the album is only 33 minutes long. ~ Keir Langley